{"id":11725,"date":"2020-08-28T11:48:09","date_gmt":"2020-08-28T11:48:09","guid":{"rendered":"https:\/\/schspin.stieve.com\/?p=11725"},"modified":"2020-09-13T21:04:32","modified_gmt":"2020-09-13T21:04:32","slug":"wiftg-und-schspin-zu-50-jahre-tatort-folge-2-regie","status":"publish","type":"post","link":"https:\/\/schspin.stieve.com\/gb\/2020\/08\/28\/wiftg-und-schspin-zu-50-jahre-tatort-folge-2-regie\/","title":{"rendered":"WIFT Germany &#038; SchspIN on Top Cop Drama. Part 2: Directors"},"content":{"rendered":"<p align=\"justify\"><span style=\"color: #333333;\"><span style=\"color: #4d4d4d;\">Exclusively for WIFT Germany, I&#8217;m looking at the list of the 50 Episodes for the Summer Vote (see ARD website) for the 50th anniversary of this Sunday evening crime series with the film women&#8217;s magnifying glass. The texts were first published via the social channels of WIFT Germany on <a href=\"https:\/\/www.instagram.com\/wift_germany\/\" target=\"_blank\" rel=\"noopener noreferrer\">Instagram<\/a> and <a href=\"https:\/\/www.facebook.com\/wiftgermany\/?_rdc=1&amp;_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook<\/a>, then in more detail here.<\/span> <\/span><\/p>\n<h1><span style=\"color: #4d4d4d;\">Focus on Directing <\/span><\/h1>\n<h2><span style=\"color: #4d4d4d;\">The Summer Vote TATORTs<br \/>\n<\/span><\/h2>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">The female directors of the 50 Wunsch-TATORTs with a share of <strong><span style=\"color: #00ccff;\">8 %<\/span><\/strong> only get a small piece as a share of the 12-piece birthday cake. Only four TATORTs were not directed by <span style=\"color: #ff00ff;\">men<\/span>: TODESBR\u00dcCKE (Berlin 2005) &#8211; directed by <strong><span style=\"color: #00ccff;\">Christine Hartmann<\/span><\/strong>, ANGEZ\u00c4HLT (Vienna 2013) &#8211; directed by <strong><span style=\"color: #00ccff;\">Sabine Derflinger<\/span><\/strong>, BOROWSKI UND DAS MEER (Kiel 2014) &#8211; also directed by <span style=\"color: #00ccff;\"><strong>Sabine Derflinger<\/strong><\/span> and FR\u00dcHST\u00dcCK F\u00dcR IMMER (Leipzig 2014) &#8211; directed by <strong><span style=\"color: #00ccff;\">Claudia Garde<\/span><\/strong>.<\/span><\/p>\n<p><a href=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_3en.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11763 aligncenter\" src=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_3en-600x468.png\" alt=\"\" width=\"500\" height=\"390\" srcset=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_3en-600x468.png 600w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_3en-300x234.png 300w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_3en.png 695w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<h2 align=\"justify\"><span style=\"color: #4d4d4d;\">For Comparison: The TATORTs 2011 &#8211; 19<\/span><\/h2>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">A look at my nine years of TATORT evaluations shows that the average share of female directors in 2011 &#8211; 15 is similarly low with <strong><span style=\"color: #00ccff;\">8.7%<\/span><\/strong> female directors. After that, however, a tentative upward trend can be seen. The average value for 2016 &#8211; 19 is <span style=\"color: #00ccff;\"><strong>17 %<\/strong><\/span>. This was preceded in 2014 by the <strong>First Diversity Report<\/strong> by the BVR <strong>Bundesverband Regie German Directors&#8217; Association<\/strong> for 2010-13 and the founding of <strong>Pro Quote Regie<\/strong> \/<strong> Pro Quota Directing<\/strong> (plus the start of my analyses, the blog <strong>SchspIN<\/strong> was launched in 2013). <\/span><\/p>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\"><a href=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_4en.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-11829\" src=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_4en-600x344.png\" alt=\"\" width=\"550\" height=\"315\" srcset=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_4en-600x344.png 600w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_4en-300x172.png 300w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_4en.png 750w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/a><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">As a reaction to the model of a quota\u00a0<\/span><span style=\"color: #4d4d4d;\">in three stages &#8211; <strong><span style=\"color: #00ccff;\">30 %<\/span><\/strong> in 3 years, <strong><span style=\"color: #00ccff;\">42 %<\/span><\/strong> in 5 years, <strong><span style=\"color: #00ccff;\">50 %<\/span><\/strong> in 10 years &#8211; which Pro Quote Regie advocated with emphasis and sound arguments, the ARD subsidiary Degeto Film GmbH committed to increasing the share of female directors in its productions to <strong><span style=\"color: #00ccff;\">20 %<\/span><\/strong> for an initial period of three years as of August 1, 2015. The <strong>20 %<\/strong> mark was narrowly missed in 2018 and 2019. The first half of 2020 leaves room for hope, with a female director share of <strong><span style=\"color: #00ccff;\">47.6 %<\/span><\/strong> for 10 of 21 TATORTs.\u00a0\u00a0 <\/span><\/p>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\"><a href=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_5en.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-11831\" src=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_5en-600x344.png\" alt=\"\" width=\"550\" height=\"315\" srcset=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_5en-600x344.png 600w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_5en-300x172.png 300w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_5en.png 750w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/a><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">&#8220;<em>There you go!!!<\/em>&#8221; comments WIFT Germany board member <strong>Cornelia K\u00f6hler<\/strong>.<br \/>\n<\/span><\/p>\n<h2 align=\"justify\"><span style=\"color: #4d4d4d;\">Age and Experience of Female Directors<\/span><\/h2>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">21 films are not a large data base, but a look at directors\u2018 age is quite interesting nonetheless as the following figure shows. This is similar to the age of actresses and actors in main casts: women are younger. So maybe not only the working years of actresses are significantly shorter than those of their male colleagues, but also those of women <em>behind<\/em> the camera. But this requires further and thorough research. <\/span><\/p>\n<p align=\"justify\"><a href=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_6en.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-11835\" src=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_6en-600x392.png\" alt=\"\" width=\"550\" height=\"359\" srcset=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_6en-600x392.png 600w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_6en-300x196.png 300w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_6en.png 750w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/a><\/p>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">Today\u2018s last figure shows the number of TATORTs that each director of the first half of 2020 has aloready worked on. What do we see? No female director, no matter how old, did more than two TATORS. For the men we find four with more than two films in the TATORT series. At the top of the list we have <span style=\"color: #ff00ff;\">Torsten C. Fischer<\/span> and <span style=\"color: #ff00ff;\">Jobst Christian Oetzmann<\/span> with 12 and 9 respectively.<\/span><\/p>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\"><a href=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_7en.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-11833\" src=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_7en-600x342.png\" alt=\"\" width=\"550\" height=\"313\" srcset=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_7en-600x342.png 600w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_7en-300x171.png 300w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2020\/08\/SchspIN_Geburtstags-Tatorte_7en.png 760w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/a><\/span><\/p>\n<h2 align=\"justify\"><span style=\"color: #4d4d4d;\">The Audience <\/span><\/h2>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">To end with another quota, the audience ratings: <strong><span style=\"color: #00ccff;\">Nina Wolfrum<\/span><\/strong> had the most viewers in the first half of 2020 with NIEMALS OHNE MICH. <strong><span style=\"color: #00ccff;\">Friederike Jehn<\/span><\/strong> followed in 3rd place &#8211; as the female first director in 25 episodes of Stuttgart-TATORT &#8211; with DU ALLEIN. And on 6th place it\u2018s <strong><span style=\"color: #00ccff;\">Petra K. Wagner<\/span><\/strong> with DIE GUTEN UND DIE B\u00d6SEN, for which she won the special prize for directing at the German TV Crime Movies Festival 2020 in Wiesbaden. In 2nd, 4th and 5th place there are the TATORTs directed by <span style=\"color: #ff00ff;\">Felix Herzogenrath<\/span> (KEIN MITLEID, KEINE GNADE), <span style=\"color: #ff00ff;\">Christian Theede<\/span> (DAS FLEI\u00dfIGE LIESCHEN) and <span style=\"color: #ff00ff;\">Christopher Schier<\/span> (LASS DEN MOND AM HIMMEL STEHEN). (Source for the audience ratings: <a href=\"https:\/\/www.prisma.de\/news\/Tatort-und-Polizeiruf-2020-Diese-ARD-Krimis-hatten-die-besten-Einschaltquoten,26088337\" target=\"_blank\" rel=\"noopener noreferrer\">Prisma 6\/24\/20<\/a>.)<\/span><\/p>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">The audience seems to get along fine with 50:50. <\/span><\/p>\n<h2 align=\"justify\"><span style=\"color: #4d4d4d;\">What&#8217;s happening next?<\/span><\/h2>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">In the third episode we take a look at the authors of the 50 Wunsch-TATORTs.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Exklusiv f\u00fcr WIFT Germany betrachte ich die Liste der 50 potenziellen Wunsch-Tatorte (siehe ARD-Webseite) zum 50. Geburtstag dieser Sonntagabendkrimireihe mit der Filmfrauenlupe. Die Texte erschienen zun\u00e4chst \u00fcber die sozialen Kan\u00e4le von WIFT Germany bei Instagram und Facebook, anschlie\u00dfend etwas ausf\u00fchrlicher &hellip; <a href=\"https:\/\/schspin.stieve.com\/gb\/2020\/08\/28\/wiftg-und-schspin-zu-50-jahre-tatort-folge-2-regie\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,8],"tags":[47,61,152,252,498,506,517,603,751],"class_list":["post-11725","post","type-post","status-publish","format-standard","hentry","category-fernsehen-tv","category-stab-crew","tag-alter","tag-ard","tag-degeto","tag-frauenanteil","tag-pro-quote-regie","tag-quote","tag-regie","tag-tatort","tag-wift-germany"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"gb","enabled_languages":["de","gb"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"gb":{"title":true,"content":true,"excerpt":false}}},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>WIFT Germany &amp; SchspIN on Top Cop Drama. 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