{"id":14502,"date":"2023-04-04T19:23:27","date_gmt":"2023-04-04T19:23:27","guid":{"rendered":"https:\/\/schspin.stieve.com\/?p=14502"},"modified":"2023-04-09T20:14:24","modified_gmt":"2023-04-09T20:14:24","slug":"deutsche-filmpreis-nominierungen-2023","status":"publish","type":"post","link":"https:\/\/schspin.stieve.com\/gb\/2023\/04\/04\/deutsche-filmpreis-nominierungen-2023\/","title":{"rendered":"German Film Award Nominations 2023 &#8211; who sets the Tone?"},"content":{"rendered":"<h1><span style=\"color: #4d4d4d;\">The German Film Awards 2023<\/span><\/h1>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">A fortnight ago I analysed 15 films that were nominated in at least two categories at the US film awards (<a href=\"https:\/\/schspin.stieve.com\/gb\/2023\/03\/17\/oscars-so-diverse\/\">Oscars so diverse?<\/a>). The 6-trade check revealed a pretty rosy picture, because in each of the six trades of directing, screenwriting, cinematography, sound, editing and music, the proportion of men was <span style=\"color: #ed008c;\">over 75%<\/span>. Which, of course, at the same time means that the proportion of women was always <strong><span style=\"color: #01adef;\">below 25%<\/span><\/strong>, the highest figure perhaps surprisingly being for female composers, who scored<span style=\"color: #01adef;\"> 23.5%<\/span>.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Today we are talking about the <strong>nominations<\/strong> for the <a href=\"https:\/\/www.deutscher-filmpreis.de\/\" target=\"_blank\" rel=\"noopener\">German Film Awards<\/a> 2023, and the good news is that the 6-works check turned out a little better for women, regardless of whether I only looked at the six produ<\/span>ctions nominated for &#8220;Best Film&#8221; or all 24 films nominated in at least one category. But that is already the best news in this text.<\/p>\n<p style=\"text-align: justify;\">The first diagram shows the 6-departments-check for all nominated films:<\/p>\n<p><span style=\"color: #4d4d4d;\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-14517 aligncenter\" src=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2023\/04\/SchspIN_Filmpreis-23_Alle-Nom-6-Gew-Check_en-600x334.png\" alt=\"\" width=\"600\" height=\"334\" srcset=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2023\/04\/SchspIN_Filmpreis-23_Alle-Nom-6-Gew-Check_en-600x334.png 600w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2023\/04\/SchspIN_Filmpreis-23_Alle-Nom-6-Gew-Check_en-300x167.png 300w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2023\/04\/SchspIN_Filmpreis-23_Alle-Nom-6-Gew-Check_en.png 752w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/span><\/p>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">The highest share of women is in editing (<strong><span style=\"color: #01adef;\">37%<\/span><\/strong>), directing and screenwriting are around <span style=\"color: #01adef;\"><strong>30%<\/strong><\/span> and female composers provided the lowest figure at <strong><span style=\"color: #01adef;\">8%<\/span><\/strong>.<\/span><\/p>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">The question of the share of films that meet <strong>#2of6<\/strong> suggests itself. Well, maybe not, but I find it worth pursuing: how many of the 24 nominated films &#8211; feature films, children&#8217;s films and documentaries &#8211; meet the two out of six mark, i.e. how many involved women in at least two of the six departments? Actually, <strong>less than half<\/strong>. In 13 films there is either no or just woman in a position of responsibility.<br \/>\n<\/span><!--more--><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-14518 aligncenter\" src=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2023\/04\/SchspIN_Filmpreis-23_Alle-Nom-2v6_en-600x338.png\" alt=\"\" width=\"600\" height=\"338\" srcset=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2023\/04\/SchspIN_Filmpreis-23_Alle-Nom-2v6_en-600x338.png 600w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2023\/04\/SchspIN_Filmpreis-23_Alle-Nom-2v6_en-300x169.png 300w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2023\/04\/SchspIN_Filmpreis-23_Alle-Nom-2v6_en.png 757w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">Just over half of the results are shaded pink, the rest light blue. Is that good? Well, the illustration perhaps suggests a better result, because it is not a question of reaching 50:50, but instead<strong> 100%<\/strong>. All publically funded films should ideally meet the #2of6 standard. And not just 13 out of 24 films &#8211; 54 % &#8211; as in this case.\u00a0<\/span><\/p>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\"><strong>Chorus<\/strong>: Anyway, maybe films do exist that involved more women in their teams, but which were not so well received by the audience or by the members of the film academy? Or maybe there are no films with more female filmmakers because they are simply not as good and get hired less often? Or maybe there are tightly knit male networks where women don&#8217;t fit in or through? Does people\u2019s gender really matter?<\/span><\/p>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">First things first. Let\u2019s look at: <\/span><\/p>\n<h2 align=\"justify\"><span style=\"color: #4d4d4d;\">6-Departments-Check for the six nominations &#8220;Best Picture&#8221; <\/span><\/h2>\n<p align=\"justify\">Specifically, at the six nominations in 2023, and to compare, later followed by the corresponding 6-departments-checks in 2022 and 2021.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-14519 aligncenter\" src=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2023\/04\/SchspIN_Filmpreis-23_Bester-Film-6-Gew-Check_en-600x334.png\" alt=\"\" width=\"600\" height=\"334\" srcset=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2023\/04\/SchspIN_Filmpreis-23_Bester-Film-6-Gew-Check_en-600x334.png 600w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2023\/04\/SchspIN_Filmpreis-23_Bester-Film-6-Gew-Check_en-300x167.png 300w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2023\/04\/SchspIN_Filmpreis-23_Bester-Film-6-Gew-Check_en.png 752w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">Not hard to see: <strong>no female sound mixer or composer<\/strong> in any of the films in <strong>2023<\/strong>, the share of women for <strong>directors<\/strong> and <strong>writers<\/strong> <span style=\"color: #01adef;\"><strong>below 20 %<\/strong><\/span>, yes, that is clearly lower than for all 24 nominated films. But &#8211; to state something positive: <strong>Women cinematographers<\/strong> are much more present than in the 24 films, at <strong><span style=\"color: #01adef;\">33.3 %<\/span><\/strong>, and <strong>women editors<\/strong> account for <span style=\"color: #01adef;\"><strong>50 %<\/strong><\/span>. Great.<\/span><\/p>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">Of the six Best Film nominations, four films fail to make #2of6, including a zero for RHEINGOLD, which was only nominated in the Best Film category overall. The Netflix production ALL QUIET ON THE WESTERN FRONT is nominated in twelve categories, if I did count correctly, and is the only one of the 24 films not to receive public funding, coming in at 1 out of 6. This is due to <strong><span style=\"color: #01adef;\">Lesley Paterson<\/span> <\/strong>who wrote the screenplay alongside <span style=\"color: #ed008c;\">Edward Berger<\/span> and <span style=\"color: #ed008c;\">Ian Stokell<\/span>, based on <span style=\"color: #ed008c;\">Erich Maria<\/span> <span style=\"color: #ed008c;\">Remarque<\/span>&#8216;s novel, among other things. <\/span><\/p>\n<h3 align=\"justify\"><span style=\"color: #4d4d4d;\">The Hen or the Eggs <\/span><\/h3>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">I have already performed so many 6-departments-checks, which in the vast majority of cases prove an overwhelming male preponderance in mostly five of the six trades. However, if we only look at a small group &#8211; like six films in this case &#8211; the result may not be as meaningful. With the Best Film nominations from last year and the year before, we get 18 films, &#8211; but the trend is the same.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-14520 aligncenter\" src=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2023\/04\/SchspIN_Filmpreis-22_Bester-Film-6-Gew-Check_en-600x333.png\" alt=\"\" width=\"600\" height=\"333\" srcset=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2023\/04\/SchspIN_Filmpreis-22_Bester-Film-6-Gew-Check_en-600x333.png 600w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2023\/04\/SchspIN_Filmpreis-22_Bester-Film-6-Gew-Check_en-300x167.png 300w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2023\/04\/SchspIN_Filmpreis-22_Bester-Film-6-Gew-Check_en.png 753w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-14521 aligncenter\" src=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2023\/04\/SchspIN_Filmpreis-21_Bester-Film-6-Gew-Check_en-600x338.png\" alt=\"\" width=\"600\" height=\"338\" srcset=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2023\/04\/SchspIN_Filmpreis-21_Bester-Film-6-Gew-Check_en-600x338.png 600w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2023\/04\/SchspIN_Filmpreis-21_Bester-Film-6-Gew-Check_en-300x169.png 300w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2023\/04\/SchspIN_Filmpreis-21_Bester-Film-6-Gew-Check_en.png 752w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">Overall, it can be said that men have the upper hand almost consistently in the six departments. The proportion of women in sound has been<span style=\"color: #01adef;\"><strong> 0 %<\/strong> <\/span>three years in a row; there were no women at the controls in 18 films. At the other end, twice female editors reached <strong><span style=\"color: #01adef;\">50 %<\/span><\/strong>. The other departments are somewhere in between.<\/span><\/p>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\"><strong>Chorus<\/strong>: A #2of6 threshold for public funding would tip the statistics a little more towards gender balance, but would it possibly make the films worse instead of better? Is this too much interference, should we let the film industry and the market do their thing and wait for more women in film to assert themselves or be discovered? On the other hand, doesn&#8217;t the industry losey an infinite amount of creativity if women are not only disadvantaged in accessing the big projects with high budgets?\u00a0<\/span><\/p>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">If there are still higher proportions of women in university \/ film school films and often in the first production after that, how do they disappear? Tried out but found not good enough? Probably not. So there is most likely still that certain &#8220;they aren\u2019t as capable&#8221; prejudice, or the well-known men\u2019s networks &#8211; &#8220;I always work with camera and sound man XY&#8221;. Of course, a film doesn&#8217;t automatically have to be better if women are involved, and if there were films that offer a female counterbalance to the many &#8220;mainly men in the 6 departments&#8221; productions, everything would be fine. It&#8217;s just that these films are very rare. AND TOMORROW THE WHOLE WORLD (2021) is such an exception with four departments involving women, and WONDERFUL (2022) also with four out of six. This year only one film can boast more than two departments involving women: WHEN WILL IT FINALLY BE LIKE IT NEVER WAS with three out of six.<\/span><\/p>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">Incidentally, the zeros among the Best Film nominations 2021 to 2023, apart from RHEINGOLD (2023), are JE SUIS KARL (2021), SCHACHNOVELLE (2021) and CONTRA (2022).<\/span><\/p>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">18 films. I would like to take larger pools into account and not just an intersection, i.e. at least the top 100 German films of a year, or even all funded films. Or even better, all projects that applied for funding? Difficult, it&#8217;s not really possible to get the data, and not all films nominated in one year had their premiere in the previous year or in the first half of the year, so they don&#8217;t necessarily appear in the Top 100. Nevertheless, I have started to analyse the top 100 German films with the biggest audiences in 2022 and will probably also take budgets into account. So watch this space.<\/span><\/p>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">The German Film Awards 2023 will be presented on 12 May in Berlin.<\/span><\/p>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">\u00a0<\/span><\/p>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Beim Filmpreis Nichts Neues? Vor zwei Wochen habe ich 15 Filme analysiert, die b ei den US-amerikanischen Filmpreisen in mindestens zwei Kategorien nominiert waren (Alles sch\u00f6n divers bei den Oscars?). Der 6-Gewerke-Check ergab ein ziemlich rosanes Bild, denn in jedem &hellip; <a href=\"https:\/\/schspin.stieve.com\/gb\/2023\/04\/04\/deutsche-filmpreis-nominierungen-2023\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,7],"tags":[11,800,862,36,97,160,799,869,626],"class_list":["post-14502","post","type-post","status-publish","format-standard","hentry","category-analyse-analysis","category-kino-cinema","tag-2v6pn","tag-2von6","tag-862","tag-6-gewerke-check","tag-bester-film","tag-deutscher-filmpreis","tag-montage","tag-nominierung","tag-ton"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"gb","enabled_languages":["de","gb"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"gb":{"title":true,"content":true,"excerpt":false}}},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>German Film Award Nominations 2023 - who sets the Tone? 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