{"id":15218,"date":"2024-06-06T11:50:57","date_gmt":"2024-06-06T11:50:57","guid":{"rendered":"https:\/\/schspin.stieve.com\/?p=15218"},"modified":"2024-06-12T13:56:29","modified_gmt":"2024-06-12T13:56:29","slug":"buehnenmuetter-und-vereinbarkeit-am-theater","status":"publish","type":"post","link":"https:\/\/schspin.stieve.com\/gb\/2024\/06\/06\/buehnenmuetter-und-vereinbarkeit-am-theater\/","title":{"rendered":"Curtain Call for Stage Mothers"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Eleven years ago, the second text of this blog was about theatre: <a href=\"https:\/\/schspin.stieve.com\/gb\/2013\/01\/22\/blume-auf-buehne\/\">A Flower on the Stage<\/a> (22.1.13) I have also looked at the productions invited to the Theatertreffen for several years (click!), but the last time was in 2016 &#8211; high time to do that again, and perhaps also one or two theatre\/schedule analyses.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Today it&#8217;s going to be about a different theatre topic<\/span><\/p>\n<h1 style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Balancing Family and Career in the World of Theatre<\/span><\/h1>\n<ul>\n<li><span style=\"color: #4d4d4d;\">An Association<\/span><\/li>\n<li><span style=\"color: #4d4d4d;\">A Split<\/span><\/li>\n<li><span style=\"color: #4d4d4d;\">A Family Seal<\/span><\/li>\n<li><span style=\"color: #4d4d4d;\">A Pilot Survey<\/span><\/li>\n<li><span style=\"color: #4d4d4d;\">A Toolbox<\/span><\/li>\n<li><span style=\"color: #4d4d4d;\">A Catalogue of Measures<\/span><\/li>\n<li><span style=\"color: #4d4d4d;\">An Aside<\/span><\/li>\n<\/ul>\n<h2 style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">An Association<\/span><\/h2>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">I am very happy about the <a href=\"https:\/\/www.buehnenmuetter.com\/\" target=\"_blank\" rel=\"noopener\">B\u00fchnenm\u00fctter<\/a> (Stage Mothers), an association founded in 2021 that supports and networks \u2018stage artists with children\u2019 and \u2018advocates family-friendly structures in theatres and cultural institutions\u2019.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Their website will be redesigned soon &#8211; if the volunteer activists find the time or receive unexpected financial support (and hopefully they will also incorporate a search function!). But in terms of content, the site is a wonderful source for all those who work on public stages or in the independent scene. And the new logo is already there.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15223\" src=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2024\/05\/Logo-Buehnenmuetter.png\" alt=\"\" width=\"600\" height=\"113\" srcset=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2024\/05\/Logo-Buehnenmuetter.png 592w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2024\/05\/Logo-Buehnenmuetter-300x56.png 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<h2 style=\"text-align: left;\"><span style=\"color: #4d4d4d;\">A Split<\/span><\/h2>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">The stage mothers describe the coexistence of family and stage career as doing a <a href=\"https:\/\/www.buehnenmuetter.com\/spagat\" target=\"_blank\" rel=\"noopener\">split<\/a> (click! in German),<\/span><\/p>\n<p style=\"text-align: justify; padding-left: 40px;\"><span style=\"color: #4d4d4d;\">&#8220;because a split is something that builds up unpleasant tension, it stings, pulls, then hurts and finally threatens to tear. A split can overwhelm us. And excessive demands can cause lasting damage if they are exaggerated.&#8221;<\/span><\/p>\n<p><!--more--><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">I would like to add &#8211; as an actress, not as a dancer &#8211; that well-executed splits instill a sense of achievement and trigger admiration from onlookers. This certainly also applies to female colleagues who manage to balance their stage careers with family commitments or choices, as this releases energy and happiness hormones and can turn them into a role model and inspiration for others.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">However, it is never easy, because<\/span><\/p>\n<p style=\"text-align: justify; padding-left: 40px;\"><span style=\"color: #4d4d4d;\">The structures of cultural institutions continue to make it almost impossible to combine an artistic career with starting a family &#8211; many mothers disappear from their professions &#8211; highly qualified &#8211; after taking a break to have children.<\/span><\/p>\n<p style=\"text-align: justify; padding-left: 40px;\"><span style=\"color: #4d4d4d;\">The social image of an \u2018artist\u2019 seems incompatible with that of a \u2018mother\u2019. Female artists conceal their motherhood for the sake of their careers. The topic is a taboo that is rarely discussed in public discourse.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">In general, mothers on stage, if they appear at all, are not exactly positive figures of identification, especially not when they combine children and a career (e.g. as a sorceress, queen, sutler): <strong>Medea<\/strong>, <strong>Gertrude<\/strong>, <strong>Queen of the Night<\/strong>, <strong>Mother Courage<\/strong> &#8211; but this will be changed by the B\u00fchnenm\u00fctter as well, maybe. <\/span><\/p>\n<p style=\"text-align: justify; padding-left: 40px;\"><span style=\"color: #4d4d4d;\">The B\u00fchnenm\u00fctter counteract this problem by empowering those affected, by networking and creating a platform for exchange, by intensive public relations work and by providing political and direct support with solution-orientated formats (<a href=\"https:\/\/www.buehnenmuetter.com\/spagat\" target=\"_blank\" rel=\"noopener\">source<\/a> in German). <\/span><\/p>\n<h2 style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">A Family Seal\u00a0<\/span><\/h2>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">When I first came into contact with the B\u00fchnenm\u00fctter, I was working on the (in German only) website<a href=\"https:\/\/ffd.proquote-film.de\/\" target=\"_blank\" rel=\"noopener\"> ffd PQF &#8211; Family-Friendly Filming<\/a> on behalf of Pro Quote Film. In a working group, we also thought about a family seal for productions (on hold for the time being). The B\u00fchnenm\u00fctter had and still have a similar idea, so it made sense to exchange ideas, and not just about that.<\/span><\/p>\n<p style=\"text-align: justify; padding-left: 40px;\"><span style=\"color: #4d4d4d;\">We are planning a \u2018family seal\u2019 to be awarded to cultural institutions. The seal should be an award for the implementation of family-friendly working conditions and create an incentive for theatres to present themselves as role models in this respect (<a href=\"https:\/\/www.buehnenmuetter.com\/\" target=\"_blank\" rel=\"noopener\">B\u00fchnenm\u00fctter &#8211; political activity<\/a>).<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">In order to make such a seal or the honouring of its criteria even more attractive for example within the film industry, it would be a good idea to make it mandatory for public funding &#8211; but that is a topic for another day. Because here and now it&#8217;s not about film but about the work of the Stage Mothers. And they&#8217;ve done quite a lot. For example <\/span><\/p>\n<h2 style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">A Pilot Survey <\/span><\/h2>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Two years ago, the B\u00fchnenm\u00fctter published a pilot study on the \u2018Living situation of stage artists with children\u2019, which deals with the \u2018stress, needs and challenges of Stage Mothers\u2019. (PDF in German, 86 pages &#8211; <a href=\"https:\/\/www.buehnenmuetter.com\/pilotstudie\" target=\"_blank\" rel=\"noopener\">click!<\/a>). Among other things, it shows<\/span><\/p>\n<p style=\"text-align: justify; padding-left: 40px;\"><span style=\"color: #4d4d4d;\">that female stage artists with children experience it as a great challenge and in some cases a heavy burden to reconcile motherhood and work due to the inadequate working conditions, which are perceived as hostile to families.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">This is not really a big surprise &#8211; which working environments, especially in the cultural sector, are really family-friendly? But it is of course a great help for political work to have some statistics and to get to know the experiences of other mothers in the theatre, in addition to the personal experiences of the people behind the survey:<\/span><\/p>\n<p style=\"padding-left: 40px; text-align: justify;\"><span style=\"color: #4d4d4d;\">The few existing (partial) studies indicate that it is particularly difficult and sometimes impossible for female stage artists with children to pursue their profession in the cultural sector. This is also in line with the experiences of the authors, who had to experience that on the day of the expected birth date, the existing contract was not extended in a personal conversation, that an agency terminated the cooperation when the singer was in childbed or that a third child was used as proof of the alleged unreliability and lack of commitment to working in the theatre. The realisation that these and other experiences are not an individual but a systematic problem for very many women grew slowly over the years and through numerous conversations with colleagues from all disciplines who had experienced similar things. <\/span><span style=\"color: #4d4d4d;\">(Published by B\u00fchnenm\u00fctter\u00a0 e. V. Annika Sophie Mendrala and Verena Usemann. page 12 \/ 13)<\/span><\/p>\n<div id=\"attachment_15229\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-15229\" class=\"size-large wp-image-15229\" src=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2024\/05\/Buehnenmuetter_Heidi-Scherm-600x400.png\" alt=\"\" width=\"600\" height=\"400\" srcset=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2024\/05\/Buehnenmuetter_Heidi-Scherm-600x400.png 600w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2024\/05\/Buehnenmuetter_Heidi-Scherm-300x200.png 300w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2024\/05\/Buehnenmuetter_Heidi-Scherm.png 640w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><p id=\"caption-attachment-15229\" class=\"wp-caption-text\"><span style=\"color: #4d4d4d;\">B\u00fchnenm\u00fctter \/ Stage Mothers. Photo by Heidi Scherm<\/span><\/p><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">In this respect, the answers to the open questions in the study are well worth reading and very compelling, see pilot survey p. 61 &#8211; 86 (sorry, in German only). B\u00fchnenm\u00fctter e.V. derived a catalogue of demands from the findings of the study (see pilot study p. 53 &#8211; 55):<\/span><\/p>\n<p style=\"text-align: justify; padding-left: 40px;\"><span style=\"color: #4d4d4d;\">We call for an open and constructive exchange on the issues of reconciling family life in stage professions, in the independent scene or at state-funded theatre institutions. Our aim is to strengthen the perspective of \u2018motherhood\u2019 in political and social discourse and make it visible.<\/span><\/p>\n<h2><span style=\"color: #4d4d4d;\">A Toolbox<\/span><\/h2>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">The \u2018artist lab\u2019 provided further assistance in which the B\u00fchnenm\u00fctter were involved; this time it was about <strong>enabling or facilitating theatre visits for people with children<\/strong>:<\/span><\/p>\n<p style=\"padding-left: 40px; text-align: justify;\"><span style=\"color: #4d4d4d;\">In two think tanks (23-24 September Hamburg Kampnagel and 7-9 October Berlin Feuerwache), recipients and producers from the independent theatre scene, whose everyday lives are shaped by care work, met with representatives from the fields of festival management, event management and artistic direction. The toolkit builds on the in-depth knowledge of the artists\/mothers from the research project \u2018BEYOND RE:production &#8211; Mothering in the performing arts\u2019 (Take That 2022) and uses expertise from the \u2018B\u00fchnenm\u00fctter\u2019 initiative.<\/span><\/p>\n<p style=\"padding-left: 40px; text-align: justify;\"><span style=\"color: #4d4d4d;\">It is time to break down barriers and fulfil the right to participate in art and culture for parents and other people with care responsibilities. The Lab has produced a booklet with specific instructions and suggestions for a corresponding transformation of production venues, production methods and funding structures. (Download the colourful 26-page booklet as a PDF via<a href=\"https:\/\/www.buehnenmuetter.com\/artistlab\" target=\"_blank\" rel=\"noopener\"> this page<\/a>).<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">And now I come to the latest resource published by the Stage Mothers. <\/span><\/p>\n<h2 style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">A Catalogue of Measures <\/span><\/h2>\n<p style=\"text-align: justify; padding-left: 40px;\"><span style=\"color: #4d4d4d;\">We want to seduce you to recognise beauty in change.<br \/>\nWe want to encourage people to create connections with potential for the future.<br \/>\nWe want to live and promote social sustainability.<br \/>\nBecause we can all do things in different ways from before. <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">The working group Family Seal of the B\u00fchnenm\u00fctter has not been idle; they have drawn up an impressive catalogue of measures &#8211; which basically summarises the possible conditions for a seal.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">The proposals were reviewed within a think tank with actors from the performing arts and published at the beginning of May as a 7-page paper entitled \u2018ACTION RECOMMENDATIONS for the compatibility of care and artistic work in theatres\u2019. Let me quote from the preamble:<\/span><\/p>\n<p style=\"padding-left: 80px;\"><span style=\"color: #4d4d4d;\">With this catalogue, we Stage Mothers* want to make a contribution to ensuring that family and art no longer have to be either\/or, but that both can be reconciled without fear and on good terms.<br \/>\nWe recommend that you carefully define the terms family and care for yourself and your own institution and include as many different perspectives as possible.<br \/>\nChoose the aspects that you particularly believe in and want to invest in.<br \/>\nHave the courage to enter unfamiliar territory.<br \/>\nTake one step at a time.<br \/>\nAppreciate every change.<br \/>\nBe patient with yourself and others.<br \/>\nBecause even a small movement starts a process.<br \/>\nWe want to seduce you to recognise beauty in change.<br \/>\nWe want to encourage people to create connections with potential for the future.<br \/>\nWe want to live and promote social sustainability.<br \/>\nBecause we can all do things in different ways from before.<br \/>\nWe Stage Mothers* believe that those cultural organisations that question existing social values with creativity and dedication can be the driving force behind reconciling care and artistic work and thus become sustainable.<\/span><br \/>\n<span style=\"color: #4d4d4d;\">This paper can only be an impetus.<\/span><br \/>\n<span style=\"color: #4d4d4d;\">Change is what we all make of it together.<\/span><br \/>\n<span style=\"color: #4d4d4d;\">The following measures are a toolbox of recommendations for action and suggestions, compiled for implementation in theatre and cultural institutions.<\/span><br \/>\n<span style=\"color: #4d4d4d;\">They are supplemented by demands for changes at a political level that create the framework for a sustainable transformation of the institutions.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Beautiful language quite fitting for theatre people, and how nice that facts rather than demands are spelled out, i.e. as something that will simply be (done) in the\u00a0 &#8211; near? &#8211; future. What I also like is the personal touch of the preamble. We are human beings, not machines.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">The preamble is followed by suggestions for theatre institutions and legislation:<\/span><\/p>\n<ol style=\"text-align: justify;\">\n<li style=\"text-align: left;\"><span style=\"color: #4d4d4d;\">Possible measures at the operational level (\u2018They can be implemented independently or as part of a target agreement between institutions and funding bodies or the administration.\u2019 p. 3 &#8211; 4) and<\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #4d4d4d;\">Necessary changes at legislative level (&#8220;The implementation of the following measures represents relevant equality issues that must be implemented at political level. They form a binding framework for sector-specific recommendations for action and can also promote transformation in society as a whole. p. 5).<\/span><\/li>\n<\/ol>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Both very fruitful and well worth reading.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Finally, the stage mothers offer a look behind the scenes with the question \u2018Quo Vadis Catalogue of Measures?\u2019. Following the recent publication of the paper (in May), a press conference is planned for the summer together with the BFDK (Bundesverband Freie Darstellende K\u00fcnste \/ Federal Association of Independent Performing Arts), taking into account the\u00a0 Guidelines for Parent-Friendly* Production in the Independent Performing Arts developed by the NRW State Office.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">And the next focus will be on a further training\/workshop offer for \u2018performing arts institutions to explain and implement the catalogue of measures\u2019, starting after the summer.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">More to come, I&#8217;m sure. <\/span><\/p>\n<h2 style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">An Aside <\/span><\/h2>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">When we talk about family friendliness, sooner or later it should not only be about (one&#8217;s own) children, but also more broadly about relatives in need of care, whether they are children, parents or partners. Also for theatre people.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">And I&#8217;ve already mentioned that the B\u00fchnenm\u00fctter website needs a search function &#8211; because I couldn&#8217;t find some of the subpages I linked to in this article via the menus (of the desktop or mobile version of the site). But that could just be me. But anyway, a search box is always good, and maybe a keyword cloud? (just a thought).<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Other than that, I recommend that you all study not only the recommendations for action (= catalogue of measures) but the entire extensive website &#8211; it doesn&#8217;t have to be all at once &#8211; and pass it on to others, link to it and make it visible. Or, if you are in the right position, simply contact the stage mothers and enquire about their workshop offers.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">If you work in the theatre or in the independent scene and have children or are planning to have children or are already thinking about caring for relatives, contact the B\u00fchnenm\u00fctter, join the association, work with them &#8211; you can of course also support their work by sending a nice message, a \u2018like\u2019 on social media, sharing the URL and of course by making a financial contribution.<\/span><\/p>\n<p style=\"text-align: justify; padding-left: 80px;\"><span style=\"color: #4d4d4d;\">This paper can only be an impetus.<\/span><br \/>\n<span style=\"color: #4d4d4d;\">Change is what we all make of it together.<\/span><\/p>\n<p style=\"text-align: justify;\"><strong><span style=\"color: #4d4d4d;\">Thank you, dear Stage Mothers, for your great work, all the best, much joy and success for the future!\u00a0<\/span><\/strong><\/p>\n<h2><span style=\"color: #4d4d4d;\">Five links:<\/span><\/h2>\n<p><span style=\"color: #4d4d4d;\"><a href=\"https:\/\/www.buehnenmuetter.com\" target=\"_blank\" rel=\"noopener\">B\u00fchnenm\u00fctter e.V.<\/a> \/ Stage Mothers<\/span><br \/>\n<span style=\"color: #4d4d4d;\"><a href=\"https:\/\/www.mehrm\u00fctterf\u00fcrdiekunst.net\/\" target=\"_blank\" rel=\"noopener\">Mehr M\u00fctter f\u00fcr die Kunst<\/a> \/ More Mums for the Arts<\/span><br \/>\n<a href=\"https:\/\/pipacampaign.org\/\" target=\"_blank\" rel=\"noopener\">PiPA Parents and Carers in Performing Arts<\/span><\/a><br \/>\n<span style=\"color: #4d4d4d;\">with a special reference to the <a href=\"https:\/\/pipacampaign.org\/research\/balancing_act_2024\" target=\"_blank\" rel=\"noopener\">Balancing Act 2024<\/a> study published on 21.5.24<\/span><br \/>\n<a href=\"https:\/\/filmfamily.stieve.com\" target=\"_blank\" rel=\"noopener\">All for the Film Family &#8211; How do we want to work?<\/a><br \/>\n<span style=\"color: #4d4d4d;\"><a href=\"https:\/\/ffd.proquote-film.de\/\" target=\"_blank\" rel=\"noopener\">ffd PQF &#8211; Family-friendly filming<\/a> (in German only)<br \/>\n<\/span><\/p>\n<p style=\"text-align: justify;\"><strong><span style=\"color: #4d4d4d;\">\u00a0<\/span><\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">\u00a0<\/span><\/p>\n<h2><span style=\"color: #4d4d4d;\">\u00a0<\/span><\/h2>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">\u00a0<\/span><\/p>\n<h2 style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">\u00a0<\/span><\/h2>\n","protected":false},"excerpt":{"rendered":"<p>Bereits vor elf Jahren, im zweiten Text von diesem Blog ging es um das Theater: Eine Blume auf der B\u00fchne (22.1.13) Auch die zum Theatertreffen eingeladenen Produktionen habe ich mehrere Jahre beleuchtet (klick!), das letzte Mal allerdings 2016 \u2013 h\u00f6chste &hellip; <a href=\"https:\/\/schspin.stieve.com\/gb\/2024\/06\/06\/buehnenmuetter-und-vereinbarkeit-am-theater\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,897],"tags":[896,900,895,747,650,883],"class_list":["post-15218","post","type-post","status-publish","format-standard","hentry","category-theater-theatre","category-vereinbarkeit","tag-buehnenmuetter","tag-film-fatal","tag-filmfamilie","tag-pro-quote-film","tag-veraenderung","tag-vereinbarkeit"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"gb","enabled_languages":["de","gb"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"gb":{"title":true,"content":true,"excerpt":false}}},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Curtain Call for Stage Mothers &#8211; 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