{"id":16248,"date":"2026-04-02T12:58:01","date_gmt":"2026-04-02T12:58:01","guid":{"rendered":"https:\/\/schspin.stieve.com\/?p=16248"},"modified":"2026-04-06T20:05:50","modified_gmt":"2026-04-06T20:05:50","slug":"was-wenn-sie-lebt","status":"publish","type":"post","link":"https:\/\/schspin.stieve.com\/gb\/2026\/04\/02\/was-wenn-sie-lebt\/","title":{"rendered":"What if she lives."},"content":{"rendered":"<h1><span style=\"color: #4d4d4d;\">New Campaign #whatifsheLIVES.<\/span><\/h1>\n<ul>\n<li>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">Introduction\u00a0\u00a0<\/span><\/p>\n<\/li>\n<li>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">#whatifsheLIVES. <\/span><\/p>\n<\/li>\n<li>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">Examples: Almila Akad and Andrea Hofer (German tv m ovie: FACKEL \/ TORCH)\u00a0 <\/span><\/p>\n<\/li>\n<li>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">Conclusion<\/span><\/p>\n<\/li>\n<\/ul>\n<p style=\"text-align: justify;\">Today I\u2019m launching my new campaign, three years after <a href=\"https:\/\/schspin.stieve.com\/gb\/2023\/06\/20\/new-campaign-swaptheadjectives\/\">#swaptheadjectives<\/a> (20 June 2023), six years after <a href=\"https:\/\/schspin.stieve.com\/gb\/2020\/02\/12\/schauspielerinnen-koennen-mehr-als-leichen\/\">#morethanCorpses<\/a> (12 February 2020) and nine years after <a href=\"https:\/\/schspin.stieve.com\/gb\/2017\/02\/16\/augen-auf-stereotype-open-eyes\/\">#Open Eyes Stereotypes<\/a> (16 February 2017):<\/p>\n<p><span style=\"color: #4d4d4d;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-16291\" src=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2026\/04\/whatifshelives-quer-600x121.png\" alt=\"handwritten: what if she LIVES. all letters in black and white, except for the colourful LIVES.\" width=\"900\" height=\"182\" srcset=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2026\/04\/whatifshelives-quer-600x121.png 600w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2026\/04\/whatifshelives-quer-300x61.png 300w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2026\/04\/whatifshelives-quer-768x155.png 768w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2026\/04\/whatifshelives-quer.png 1500w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/span><\/p>\n<h2 style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Introduction<\/span><\/h2>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">The catalyst for my new campaign was the Frankfurt episode of German top cop drama Tatort \/ Crime Scene titled FACKEL \/ TORCH, broadcast on 22 March. Once again, women had to die in a TV crime drama without this being dramaturgically necessary for the plot. On the contrary, had the two remained alive and thus been less stereotypical and one-dimensional, the story might well have gained depth and relevance, leaving less room for prejudice and conspiracy theories.<\/span><!--more--><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\"><strong>Why do crime writers often think of nothing better for female characters than to kill them off?<\/strong> And no, it\u2019s not a problem if writers can\u2019t develop good female characters \u2013 but ideally they should then bring in a competent female co-writer or seek dramaturgical advice (for example through VEDRA, the<a href=\"https:\/\/dramaturgieverband.org\/\" target=\"_blank\" rel=\"noopener\"> German Association for Film and Television Dramaturgy<\/a>).<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">You could also simply try out my new suggestion and, either on your own or with a group of interested people, conduct a #whatifsheLIVES. brainstorming session to improve the character. This involves looking for alternative plot developments and storylines for female characters who, according to the treatment or script, are supposed to die.<\/span><\/p>\n<h2><span style=\"color: #4d4d4d;\">#whatifsheLIVES.<\/span><\/h2>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">What if a character does <strong>not<\/strong> die? What happens instead? What might need to happen differently beforehand?<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">The starting point is, first and foremost, a death that no longer takes place. From there, the narrative is developed backwards in time, or rather, the character\u2019s existing storyline is scrutinised.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Perhaps she survives the suicide, murder, attempted murder or accident? What if the attempt never happens in the first place \u2013 what course of events would need to be altered? Was there already a moment that didn\u2019t quite fit with the subsequent death, where changes could be introduced? To what extent does her new ending \u2013 her continued living &#8211; affect her actions, characteristics and needs? What does this mean for other characters and other plotlines? How early on in the story must changes be introduced? These are just some initial ideas.\u00a0 <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">The new campaign is aimed at <strong>writers, commissioning editors, directors and actors.<\/strong> <\/span><\/p>\n<p style=\"text-align: justify;\">When you\u2019re developing your stories, ask yourselves this question for every woman you have die: <strong>what if she lives.<\/strong> Come up with at least one alternative storyline with a different ending. When you\u2019re presented with or offered new material in which women die, consider each one with an open mind: <strong>what if she lives.<\/strong> Discuss the question within your team, with the editorial team, and with the director. If you are asked to play a \u2018dying role\u2019, consider by yourself <strong>what if she lives,<\/strong> and whether there is a way to discuss this with the production team or director. (I know, especially with small roles, this really isn\u2019t easy!).<\/p>\n<p style=\"text-align: justify;\">If, in the end, you\u2019re more convinced that the character should die, then so <span style=\"color: #4d4d4d;\">be it. But if it makes more sense for her to live and that improves the story, making it more exciting, more complex, more surprising, then rewrite the script or treatment accordingly, or have it revised.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\"><strong>Dead women aren\u2019t sexy. And a crime drama isn\u2019t necessarily better for having more female corpses.<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Here is the campaign visual in colour, and in black and white for you to colour in yourself. Perhaps you\u2019d like to print out the card? Then you can place it on your desk or hang it on the wall in your office or wherever you write or read your screenplay. Use the card to question every death of a woman in the crime drama or film project, especially that\u00a0of less developed supporting characters. It can actually be quite fun!<\/span><\/p>\n<p><a href=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2026\/04\/whatifshelives-pk.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-16304\" src=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2026\/04\/whatifshelives-pk-600x439.png\" alt=\"\" width=\"750\" height=\"548\" srcset=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2026\/04\/whatifshelives-pk-600x439.png 600w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2026\/04\/whatifshelives-pk-300x219.png 300w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2026\/04\/whatifshelives-pk-768x562.png 768w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2026\/04\/whatifshelives-pk.png 1302w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2026\/04\/whatifshelives-sw.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-16305\" src=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2026\/04\/whatifshelives-sw-600x485.png\" alt=\"\" width=\"750\" height=\"606\" srcset=\"https:\/\/schspin.stieve.com\/wp-content\/uploads\/2026\/04\/whatifshelives-sw-600x485.png 600w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2026\/04\/whatifshelives-sw-300x242.png 300w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2026\/04\/whatifshelives-sw-768x621.png 768w, https:\/\/schspin.stieve.com\/wp-content\/uploads\/2026\/04\/whatifshelives-sw.png 1302w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">I also offer talks and workshops on #whatifsheLIVES for the industry and beyond. (<a href=\"https:\/\/expertise.stieve.com\/gb\/\" target=\"_blank\" rel=\"noopener\">Experstieve \u2013 Equality &amp; Diversity.<\/a>)\u00a0 <\/span><\/p>\n<h2 style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Examples from a TATORT (Crime Scene) tv movie<\/span><\/h2>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">To illustrate this, here is a quick #whatifshe\u2019sALIVE brainstorming I did for the two dead women in the aforementioned Tatort episode FACKEL (screenplay by <span style=\"color: #ed008c;\">Sebastian Heeg<\/span> and <span style=\"color: #ed008c;\">Tom Schilling<\/span>):<\/span><\/p>\n<ul>\n<li><span style=\"color: #4d4d4d;\"><strong>Almila Adak<\/strong>. Suicide by setting herself on fire.<\/span><\/li>\n<li><span style=\"color: #4d4d4d;\"><strong>Andrea Hofer<\/strong>. Presumed murdered, presumably staged to look like suicide; found naked in a bathtub filled with water and blood.<\/span><\/li>\n<\/ul>\n<h3><span style=\"color: #4d4d4d;\">What happens in FACKEL?<\/span><\/h3>\n<p style=\"padding-left: 40px;\"><span style=\"color: #4d4d4d;\">Years after a devastating high-rise fire that claimed thirteen lives, Chief Inspector Hamza Kulina (<span style=\"color: #ed008c;\">Edin Hasanovic<\/span>) bumps into his ex-girlfriend at a vigil. Almila (<strong><span style=\"color: #01adef;\">Seyneb Saleh<\/span><\/strong>) lost her mother in the blaze and has been fighting tirelessly for justice ever since. The high-rise block of social housing was engulfed in flames within minutes \u2013 possibly due to cheap insulation material that had been installed in breach of regulations. When an inquiry committee set up to hold those responsible to account threatens to end without results, Almila asks Hamza for help. The investigation leads Hamza Kulina and his colleague Maryam Azadi (<strong><span style=\"color: #01adef;\">Melika Foroutan<\/span><\/strong>) from a mysterious death to the managing director of a building materials group, (<span style=\"color: #ed008c;\">Stephan Luca<\/span>), who has close ties to the political world. But the closer the detectives get to the truth, the greater the danger becomes \u2013 for their investigation and for themselves.<br \/>\n(Source: ARD press kit. Square brackets and colour\/bold text added by me)<\/span><\/p>\n<h3><span style=\"color: #4d4d4d;\">What\u2019s FACKEL about?<\/span><\/h3>\n<p style=\"padding-left: 40px;\"><span style=\"color: #4d4d4d;\">Democracy and the checks and balances do not work. The rich buy influence over politics, the police and the judicial system, and put pressure on ordinary people. And they get away with it. The few who rebel against this system are driven to their deaths or give up. The fourth estate (the media) remains inactive. There is no justice.<\/span><\/p>\n<h3><span style=\"color: #4d4d4d;\">How does FACKEL end?<\/span><\/h3>\n<p style=\"padding-left: 40px;\"><span style=\"color: #4d4d4d;\">The case is resolved at the very end with a bit of a bland trick. Inspector <strong>Azadi<\/strong> interrogates the wife of the businessman, <strong>Simone B\u00f6ttcher<\/strong> (<strong><span style=\"color: #01adef;\">Katharina Heyer<\/span><\/strong>) and in doing so brings up the B\u00f6ttchers\u2019 personal connection to the materials expert <strong>Beetz<\/strong> and to Chief Detective Inspector <strong>M\u00f6ller<\/strong> (<span style=\"color: #ed008c;\">Michael Schenk<\/span>) \u2013 a connection which is mentioned for the very first time). In true TATORT style, the investigation also flouts the rules (e.g. DNA matching: <strong>Azadi<\/strong> secretly steals a scarf from the B\u00f6ttchers\u2019 flat). Her colleague <strong>Kulina<\/strong> grumbles about police work and the legal system, without drawing any conclusions from it.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">It doesn\u2019t seem as though the story was preceded by any thorough research, for example regarding the work of parliamentary committees. But that\u2019s another matter.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">And now, finally, the two women who had to die in FACKEL:<\/span><\/p>\n<h3><span style=\"color: #4d4d4d;\">Almila Adak (<span style=\"color: #01adef;\">Seyneb Saleh<\/span>)<\/span><\/h3>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">A survivor. Her mother, <strong>Cemre Adak<\/strong>, and twelve other people died in a Frankfurt high-rise building fire five years ago (the \u2018Goliath fire\u2019). Investigator Kulina says of her mother: \u2018She had only Almila and sacrificed everything for her.\u2019 (?)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Almila Adak runs into her ex-boyfriend, Inspector Kulina, on the sidelines of a vigil organised by the bereaved, just a few days before the <strong>committee of inquiry into the Goliath fire<\/strong> is due to conclude its work. Adak mentions that a <strong>trial<\/strong> had already taken place \u2013 though it remains unclear who sued whom, how long the trial lasted, and what the outcome was. According to her own account, Adak was present at this trial every day, though not as a joint plaintiff (which she could have been as a relative), but merely as a member of the public. She made audio recordings throughout the trial \u2013 or presumably only during the public sessions \u2013 which is prohibited under Sections 201 and 201a of the German Criminal Code (StGB), but apparently nobody in court noticed. Adak subsequently transcribed the audio recordings by hand (!). She had already noticed various inconsistencies during the trial \u2013 \u201cThere are so many unanswered questions that were not addressed in the trial\u201d \u2013 but apparently did not share these with anyone, nor did she point them out to Kulina when she handed him her folder containing the originals.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">The inquiry committee was set up five years ago and is still in session. (Although it is sometimes referred to as \u2018five years\u2019 and sometimes as \u2018for several months\u2019). The findings are due to be announced \u2018in three days\u2019. \u2018Today\u2019, on Tuesday, another witness is due to give evidence: <strong>Steffen B\u00f6ttcher<\/strong>, managing director of Styvex, a building materials group that sells the insulation material which contributed to the devastating fire. (It is somewhat surprising that he is not appearing at the start but only at the end of the committee\u2019s work, isn\u2019t it? It is also astonishing that, in the final image from the committee, he is sitting at the committee\u2019s round table with his lawyer \u2013 as a non-MP?)<\/span><\/p>\n<p style=\"text-align: justify;\">Almila Adak is \u201cdetermined not to give up until all those responsible for this senseless tragedy have been held to account\u201d. She and other bereaved relatives are protesting outside the parliament building where the committee is meeting and are verbally confronting B\u00f6ttcher. Over the next two days, the Senator for Urban Development and relatives will be heard, before a closing press conference takes place on Friday at midday.<\/p>\n<p style=\"text-align: justify;\">There is no description of what <strong>Adak\u2019s \u2018tireless fight for justice\u2019<\/strong> has looked like over the past five years. What else she does, how she makes a living \u2013 we do not know. Only that she apparently has no access to a computer \u2013 see the handwritten transcripts \u2013 and little money (the wad of cash she sent to Kulina shortly before her suicide is said to be all she owned \u2013 I reckon that was perhaps \u20ac500. Or more?).<\/p>\n<p style=\"text-align: justify;\">It is surprising that, over the past five years \u2013 at least since the trial ended \u2013 Adak has never spoken to her friend Kulina, who after all works for the CID, about the matter, particularly the inconsistencies. Only now does she ask him for help. Fortunately, Kulina and his colleague Azadi from the Cold Cases Unit have absolutely nothing else to do at the moment, and can therefore spend at least three days going through Adak\u2019s notes and other collected documents, interviewing suspects and witnesses, and so on.<\/p>\n<p style=\"text-align: justify;\">On Thursday evening, Kulina and Azadi have a meeting with their boss, <strong>Sandra Schatz<\/strong> (<strong><span style=\"color: #01adef;\">Judith Engel<\/span><\/strong>). They want to have Mrs B\u00f6ttcher arrested, and Mrs Schatz is to inform the public prosecutor\u2019s office. It\u2019s not possible, she says: \u201cThe public prosecutor in charge has been transferred. The Ministry of Justice will appoint a successor on Monday at the earliest.\u201d<\/p>\n<p style=\"padding-left: 40px; text-align: justify;\"><span style=\"color: #4d4d4d;\"><strong>Side note<\/strong>: That\u2019s actually complete nonsense. All public prosecutors have stand-ins \u2013 for when they\u2019re off sick, on training courses, transferred, or whatever. I found this out \u2013 and more \u2013 by simply phoning the Frankfurt Public Prosecutor\u2019s Office and asking; I spoke to a prosecutor who was standing in for another one (the one I\u2019d intended to call). But back to TATORT.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Kulina rants: \u201cIf the judiciary is blocking our work to cover up a scandal, then I\u2019ve got a big problem with that!\u201d (It\u2019s also funny that the very next morning, when there\u2019s supposedly no competent public prosecutor, Kulina and Azadi arrest Ms B\u00f6ttcher. But never mind.) He solves the problem by telling his girlfriend Akad \u201cthe truth\u201d over the phone, namely: \u201c<strong>That this whole thing is one massive corrupt piece of shit. And that sometimes there is no justice<\/strong>.\u201d Somewhat surprising, given that the rapid investigations have led to the conclusion that Ms B\u00f6ttcher \u2013 together with Chief Inspector M\u00f6ller \u2013 murdered the building materials expert Beetz five years ago (murder is not subject to the statute of limitations!) and disguised it as suicide.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">After Kulina\u2019s phone call, Almila writes on a piece of paper in her flat: <strong>\u201cThose who have no voice have only action left.<\/strong>\u201d<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">A little later, Kulina brings her back the folder containing the original documents. She hands him a letter: \u201cPromise me you won\u2019t read it until tomorrow evening.\u201d He promises, but of course he reads it sooner, the following morning \u2013 Friday: \u201cBy the time you read these lines, I will be gone. I\u2019m sorry if I\u2019ve caused you any distress over the last few days (?), but I wanted to leave no stone unturned. Give the letter with the statement to the press.\u201d (It\u2019s also in the envelope, along with the banknotes mentioned; those are for the bereaved families\u2019 initiative)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\"><strong>Akad sets herself on fire in front of the entrance to Styvex.<\/strong> There\u2019s not a soul in sight. Unfortunately, no one sees her sitting down on the ground, pouring petrol over herself and going up in flames either (no doorman, no CCTV cameras?). Kulina has a hunch that she will be right there; after reading her letter and not finding her in her flat, he rushes to the Styvex building. He arrives too late; she is already dead.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\"><strong>Final scene:<\/strong> Azadi and Kulina each place a flower on the graves of the two victims, Cemre and Almila Akad. We do not see whether Hamza Akad\u2019s statement and money reach the intended recipients as requested.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\"><strong>This is, of course, a difficult situation for Almila Adak<\/strong> (or rather, the actress playing her, Seyneb Saleh). As a \u201cgreat fighter for justice\u201d, she is expected to make it credible that she was not a joint plaintiff in the trial, that for five years she did nothing more substantial than hold vigils and light candles at the grave (?), and that she spoke neither to a lawyer (!) nor to the prosecution (wasn\u2019t there a trial, after all?). Nor does it appear as though she, as a bereaved relative, was given a voice during the trial or in the parliamentary inquiry. At least, this is not mentioned. It also appears that Adak did not speak to any (opposition) politicians, even though a house fire, exacerbated by faulty building materials and its consequences for the environment, would be an issue for the Greens, and the power of corporations something for the Left Party, which is represented in the Hessian state parliament. Adak and presumably other bereaved relatives also do not seem to have spoken to critical or other journalists. Were there none in Frankfurt am Main?<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">So much for the (non)action. But now!<\/span><\/p>\n<h3 style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">If Almila Adak doesn\u2019t die at the end of this cop drama, what could have happened instead? #whatifsheLIVES.<\/span><\/h3>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Here are a few ideas:<\/span><\/p>\n<ol>\n<li style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Just as Adak is about to set herself on fire, he is saved at the last second by Kulina. Conveniently, Kulina has a fire blanket in his pocket (it had been left anonymously for him at his mother\u2019s house); he smothers the rising flames and calls the fire brigade. He is so distraught that he storms into his boss Mrs Schatz\u2019s office, slams his police officer ID and service weapon down on her desk (professional cliffhanger!) and then sits by Adak\u2019s hospital bed, silently holding her hand (personal cliffhanger!). End titles.<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Adak is rescued at the last minute by the porter at the Styvex building, who had spotted her on the CCTV monitor; she is taken by helicopter to the Ludwigshafen Centre for Severe Burns (Frankfurt does not have one). After that, there are various possible outcomes, including in relation to the media and the parliamentary inquiry.<br \/>\n<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">As mentioned, Adak writes \u201cThose who have no voice have only action left\u201d on a piece of paper. But she isn\u2019t planning to kill herself; instead, she\u2019s making Molotov cocktails (at the same time as the investigative committee\u2019s final press conference). She packs the incendiary devices into her rucksack and cycles off. Where to, who knows? End credits. (For this to happen, Adak would, of course, need to be portrayed as less passive and more combative beforehand.)<br \/>\n<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Adak has no intention of committing suicide; her \u2018action\u2019 consists of appearing before the press alongside the victims\u2019 families\u2019 initiative and bringing to light inconsistencies in the trial as well as the new findings from Kulina (re: Beetz and M\u00f6ller).<br \/>\n<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Adak has no plans to commit suicide; instead, she goes to a lawyer who is a friend of hers or who has been recommended to her, in order to file a complaint against Styvex, the managing director B\u00f6ttcher and his wife, as well as KHK M\u00f6ller.<br \/>\n<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Adak is not planning to commit suicide but storms into the press conference for the final report of the inquiry committee. She has prepared (handwritten!) statements to be read out and distributed, in which she names Kulina and Azadi, outlines their investigations and names Styvax \/ B\u00f6ttcher and M\u00fcller as the perpetrators. She accuses Kulina just as much as \u2018the system\u2019 (an intriguing breach of trust! Which makes sense, because why hadn\u2019t she been in contact with him even once in five years?) She is supported by other bereaved families from the initiative. Tumult in the committee, the opposition berates the government, a voice-over by a radio commentator, and above it text listing the outcomes of the trials against the two B\u00f6ttchers, Hofer (see below) and against KHK M\u00f6ller. Optional: disciplinary proceedings against Schatz, Kulina and Azadi.<\/span><\/li>\n<\/ol>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\"><strong>Almila Akad<\/strong> <strong>could<\/strong>, in this way (proposals 1 and 2), at leas<strong>t escape the trap of perpetually being the victim<\/strong>, or (proposals 3 to 6) become <strong>a far more interesting and credible character<\/strong> (see \u2018tireless fight for justice\u2019). And the entire TATORT series could move away from the <strong>conspiracy narrative<\/strong> that \u201cthe state and the media cannot be trusted, all institutions are corrupt and evil, but there is nothing we can do about it\u201d.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">The second woman who dies in FACKEL is:<\/span><\/p>\n<h3 style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Andrea Hofer (<span style=\"color: #01adef;\">Nadja Bobyleva<\/span>)<\/span><\/h3>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">She is a laboratory technician in materials testing; her colleague <strong>Rainer Beetz<\/strong> had tested the (insulation) material Polysterol and drawn up a false safety report, if I recall correctly, several years before the Goliath fire. Hofer was still his assistant at the time; she may have helped him with the false report or at least been aware of it.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Beetz had allegedly taken his own life six months after the expert report was issued. That in itself would be suspicious and should call into question the approval of the building material, but it seems to have had no impact on the alleged trial or the work of the inquiry committee. And now, thanks to the investigations by Kulina and Azadi, it has emerged that it was not suicide but that he was murdered.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">To start from the back: Hofer was asked by Azadi and Kulina to come to the police headquarters the next morning at 7 am (!) for questioning (as a witness?). Now, the fact is that she doesn\u2019t have to go there at all, nor does she have to cancel. But Andrea Hofer probably doesn\u2019t know that. (Source: fachanwalt.de)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">In any case, she doesn\u2019t turn up for the appointment while Azadi and Kulina are waiting for her. Kulina says, \u201cI\u2019ll send a patrol to her flat.\u201d (Why? She\u2019s under no obligation to attend.) It must be around half past seven or quarter to eight by now. Why does he assume that Hofer is in her flat and not already at work or on her way there? Next, we see two police officers breaking open Hofer\u2019s door lock and storming into the flat. Hofer is lying dead and naked in the bathtub (female corpses are often shown naked in German crime dramas, and sometimes in water, but that\u2019s another matter).<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">What had happened beforehand? Hofer had been \u2018visited\u2019 in the lab by Azadi and Kulina and questioned about Beetz. Later, she received a summons to attend an interview\/interrogation at police headquarters the following morning. Hofer immediately texted Styvex boss Steffen B\u00f6ttcher, who met her a little later in his car. (Very clumsy, by the way \u2013 hello, evidence!) Among other things, he says: \u201cIn your case, the public prosecutor\u2019s office will charge you with bribery and manslaughter in 13 cases.\u201d He addresses her informally, she addresses him formally. She is completely terrified and overwhelmed, just as she had already seemed extremely nervous in her previous encounters with Kulina and Azadi. B\u00f6ttcher says: \u201cStyvex will always support you generously; you can rely on me one hundred per cent.\u201d She replies: \u201cIt\u2019s not about the money. I can\u2019t live with the guilt any longer.\u201d Why is she saying that? It\u2019s foolish, because he has far more to lose than she does and will see it as a threat. Or does she trust him, perhaps? Unlikely. She could at least sense how dangerous B\u00f6ttcher and his people are.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">After the meeting, Hofer goes home; a car is already waiting on the opposite side of the street, from which she is being watched. As she enters the house, someone follows her inside. Shortly afterwards, the police supposedly ring her doorbell. In reality, it is someone who kills her and stages it to look like a suicide in the bathtub.<\/span><\/p>\n<h3 style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">If Andrea Hofer Adak isn\u2019t found dead and naked in the bath in the end, what could have happened instead? #whatifsheLIVES.<\/span><\/h3>\n<ol>\n<li><span style=\"color: #4d4d4d;\">Hofer is not killed but abducted. From the \u2018villains\u2019\u2019 point of view, too, it makes more sense for her to vanish from the scene without anyone knowing exactly what happened. The suicide in the bathtub \u2013 especially following Beetz\u2019s alleged suicide \u2013 would simply be a clear indication that there was something wrong with the material testing report at the time. The kidnappers could send a fake message to Azadi \/ Kulina: \u2018Sorry, I have to go away for a week for urgent personal reasons; I\u2019ll get back to you afterwards\u2019. And if there is still enough time in the episode, we could see the kidnapped Hofer trying to escape or negotiating with the guards. That would also provide an opportunity to clarify plot ambiguities \u2013 then not everything would have to be crammed into the Azadi-B\u00f6ttcher interrogation. <\/span><\/li>\n<li><span style=\"color: #4d4d4d;\">After meeting B\u00f6ttcher in the car, Hofer flees without going home again. She is seen boarding a night train to Zurich at Frankfurt Central Station.<\/span><\/li>\n<li><span style=\"color: #4d4d4d;\">After meeting B\u00f6ttcher, Hofer goes to her boyfriend, who is a security guard at a trendy nightclub, and browses job vacancies in Austria online. The next morning, she calls in sick and goes back to bed with her boyfriend. <\/span><\/li>\n<li><span style=\"color: #4d4d4d;\">Andrea Hofer\u2019s aunt is a public prosecutor in Darmstadt (or her brother works in the archives of the Frankfurt Public Prosecutor\u2019s Office). She calls her\/him to ask how the leniency scheme works, as she wants to turn herself in and testify against Steffen B\u00f6ttcher. They arrange to meet the next day, and Hofer is advised not to go home but to spend the night in a hotel. (The connection to the public prosecutor\u2019s office wouldn\u2019t be any more of a coincidence than if Azadi were to casually mention during Mrs B\u00f6ttcher\u2019s interrogation that Beetz attended the same sports boarding school as she and her husband. Or worse still: that the corrupt inspector Mr M\u00f6ller just happens to know Mrs B\u00f6ttcher from the horses farm. How does Azadi actually know all this? It was never hinted at before (Horse posters on M\u00f6ller\u2019s pinboard? A group photo from the sports boarding school at the B\u00f6ttchers\u2019 in the bathroom?). Or did I miss that? Mrs Hofer is a bit of an unknown quantity. It would have been more plausible \u2013 and less confusing for the audience \u2013 to have a related public prosecutor turn up instead.<\/span><\/li>\n<li><span style=\"color: #4d4d4d;\">Hofer doesn\u2019t open the door when he rings the bell. Instead, she calls the police and asks if they\u2019ve sent anyone. \u201cNo. Don\u2019t open the door. Shall we send someone round?\u201d<\/span><\/li>\n<li><span style=\"color: #4d4d4d;\">The intruder\u2019s entry \u2013 or the attempted murder \u2013 wouldn\u2019t exactly have gone off without a sound. Perhaps, just as the \u2018policeman\u2019 enters her flat, there is a scuffle; a neighbour knocks on the wall shouting \u2018what\u2019s all the noise about?\u2019 or kicks the door in (it wouldn\u2019t just be Kulina who could do that); the \u2018policeman\u2019 flees, or Hofer runs away, for example to her burly bouncer boyfriend.<\/span><\/li>\n<\/ol>\n<p><span style=\"color: #4d4d4d;\">Such variations could <strong>help make Andrea Hofer less one-dimensional and passive<\/strong>. For in FACKEL, she is primarily the frightened mouse, the victim. It would therefore be all the more surprising \u2013 and satisfying \u2013 if she were suddenly to fight back and seek help from others. This would also give the whole story a chance to be better than this accusation that \u2018all bad guys get away with it\u2019.<\/span><\/p>\n<p><span style=\"color: #4d4d4d;\">By the way, I\u2019ve read several reviews of FACKEL in which Akad\u2019s self-immolation was described as unnecessary or something similar. Online comments often referred to an \u201cimpressive\u201d or \u201cpowerful ending\u201d (?!). Hofer\u2019s murder wasn\u2019t mentioned at all. In the Stuttgarter Nachrichten\u2019s Tatort quick review, the \u201cnumber of bodies\u201d for this episode is given as 15. So 13 from the Goliath fire, plus Beetz and Akad? What about Hofer?<\/span><\/p>\n<h3><span style=\"color: #4d4d4d;\">Conclusion<\/span><\/h3>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">The more I think about #whatifsheLIVES, the more positive and exciting I find the approach. It works well for the character, who doesn\u2019t die and can gain new depth \u2013 which, incidentally, is also great for the actress, as it allows her to explore even more facets of her role. And it benefits the whole film, as there are fewer corpses in the end, and instead more characters with potentially better storylines of their own (which go beyond \u2018victim, dies\u2019). Furthermore, the core of TATORT may be challenged and improved by the transformation of a character. (Or even the transformation of several characters. I\u2019m just imagining the FACKEL TATORT episode with Akad and Hofer no longer the passive victims they were written and directed as. Directed by <span style=\"color: #ed008c;\">Rick Ostermann<\/span>)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Even if, in the end, the fundamental change doesn\u2019t happen and the character has to die, the #whatifshelives-process alone can be worthwhile.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">I\u2019m already looking forward to the first #whatifsheLIVES workshops, where we can develop and consider new ideas for the character who is now continuing her story. (<a href=\"https:\/\/expertise.stieve.com\/gb\/kontakt\" target=\"_blank\" rel=\"noopener\">Contact<\/a>)<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Neue Kampagne #waswennsieLEBT. Einleitung #waswennsieLEBT. Fallbeispiele: Almila Akad und Andrea Hofer (Tatort: FACKEL) Fazit Nachklapp Untersuchungsausschuss &#8211; Theorie, Hanau, FACKEL Heute stelle ich meine neue Kampagne vor, drei Jahre nach #TauschdieAdjektive (20.6.23), sechs Jahre nach #mehralsLeichen (12.2.20) und neun Jahre &hellip; <a href=\"https:\/\/schspin.stieve.com\/gb\/2026\/04\/02\/was-wenn-sie-lebt\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,10],"tags":[933,187,253,944,405,650,945],"class_list":["post-16248","post","type-post","status-publish","format-standard","hentry","category-fernsehen-tv","category-vermischtes-miscellaneous","tag-waswennsielebt","tag-drehbuch","tag-frauenbild","tag-handlung","tag-krimi","tag-veraenderung","tag-verschwoerungserzaehlungen"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"gb","enabled_languages":["de","gb"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"gb":{"title":true,"content":true,"excerpt":false}}},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>What if she lives. &#8211; 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