{"id":2006,"date":"2014-02-12T16:11:47","date_gmt":"2014-02-12T15:11:47","guid":{"rendered":"http:\/\/schspin.wordpress.com\/?p=2006"},"modified":"2014-02-12T16:11:47","modified_gmt":"2014-02-12T15:11:47","slug":"top100_2012","status":"publish","type":"post","link":"https:\/\/schspin.stieve.com\/gb\/2014\/02\/12\/top100_2012\/","title":{"rendered":"Kom\u00f6die statt Krimi: Die Top 100 dt. Kinofilme 2012 \u2013 Top 100 German Films 2012: Comedy over Crime"},"content":{"rendered":"

English Version<\/a> follows German.<\/em><\/strong><\/p>\n

Kom\u00f6die statt Krimi: Die Top 100 deutschen Kinofilme 2012 <\/span><\/strong><\/p>\n

Morgen, am 13. Februar, gibt die Filmf\u00f6rderungsanstalt FFA die Statistiken f\u00fcr 2013 bekannt, darunter die Jahresliste der an den Kinokassen 100 erfolgreichsten deutschen Filme des vergangenen Jahres, die Top 100. Diese werde ich demn\u00e4chst n\u00e4her betrachten, zuvor soll\u00a0 es aber heute um die 100 erfolgreichsten deutschen Filme 2012 gehen: die Genres, die Frauen- und M\u00e4nneranteile in den Gewerken Gewerke Regie, Drehbuch und Produzent\/in, und die erstgenannten Rollen in den Besetzungslisten.<\/span><\/p>\n

Letzten M\u00e4rz hatte ich die Top 12 Filme im 6-Gewerke-Check ausgewertet\u00a0 (Deutsche Top Kinofilme 2012<\/a>) und im Juni dann 11 Gewerke von u.a. den Top 17 Filmen\u00a0 (Kunst oder Kommerz, wo arbeiten die Filmfrauen? Teil 1 Die Gewerke<\/a>).
\nAls ich mich auf die Suche nach den deutschen Kinofilmen von 2013 machte, landete ich bei der FFA und ihren umfassenden – wenn auch etwas versteckten – Listen, (die sich leider auch nicht direkt verlinken lassen. FFA-Webseite<\/a> -> Marktdaten<\/em> -> Filmhitlisten<\/em> -> Jahresliste (deutsch)<\/em> -> Jahr w\u00e4hlen<\/em>), und erfuhr, dass sie w\u00e4hrend der Berlinale ver\u00f6ffentlicht werden. 100 Filme sind ja mal eine gr\u00f6\u00dfere Datenmenge f\u00fcr eine Auswertung, und warum dann nicht zuvor noch die 100 Filme des Vorjahrs betrachten? Darum soll es heute gehen:
\n<\/span><\/p>\n

Top 20<\/span>
\n Stab: Regie, Drehbuch, Produzent\/in – Frauen-\/M\u00e4nneranteil<\/span>
\n Besetzung: Erstgenannte Rolle – Frauen-\/M\u00e4nneranteil<\/span>
\n Sonstiges: Genre (anhand der Kategorien der FFA)<\/span><\/p>\n

Top 100<\/span>
\n Stab: Regie, Drehbuch, Produzent\/in – Frauen-\/M\u00e4nneranteil<\/span>
\n Besetzung: Erstgenannte Rolle – Frauen-\/M\u00e4nneranteil<\/span>
\n Sonstiges: Genre<\/span><\/p>\n

Die Auswertung hat lange gedauert, aber ihre Ergebnisse lassen sich schnell zusammenfassen:<\/span>
\nDas vorherrschende Fernsehgenre scheint der Krimi zu sein, im Kino ist es definitiv die Kom\u00f6die<\/strong>, 37 Filme (und somit 37 %) fallen in diese Gruppe:<\/span><\/p>\n

\"Top100_2012_Genre_dt\"<\/a>Auch der erfolgreichste Film 2012 ist eine Kom\u00f6die: T\u00dcRKISCH F\u00dcR ANF\u00c4NGER mit 2.390.245 Besucher\/innen (Regie und Drehbuch Bora Da\u011ftekin<\/span>, Produzent\/innen Christian Becker <\/span>und Lena Sch\u00f6mann<\/strong><\/span>, erstgenannte Rolle: Josefine Preu\u00df<\/strong><\/span>). Ungef\u00e4hr halbsoviele Filme (19 %) fallen unter das Genre Drama, h\u00f6chstplatziert BARBARA an 23. Stelle (Regie und Drehbuch Christian Petzold<\/span>, Produzenten Florian Koerner von Gustorf <\/span>und Michael Weber<\/span>, erstgenannte Rolle Nina Hoss<\/strong><\/span>).\u00a0 Auf Platz 3 der Kategorien kommen Abenteuerfilme f\u00fcr Kinder (7 %), direkt auf Platz 3 einer davon: F\u00dcNF FREUNDE mit 1.042.780 Besucher\/innen (Regie Mike Marzuk<\/span>, Drehbuch Sebastian Wehlings <\/span>und Peer Klehmet<\/span>, Produzent\/innen Ewa Karlstr\u00f6m<\/strong> <\/span>und Andreas Ulmke-Smeaton<\/span>, erstgenannte Rolle Valeria Eisenbart<\/strong><\/span>). Insgesamt sind unter den Top 100 Filmen 16 Kinderfilme und 16 Dokumentarfilme vertreten.
\nDie zweite Abbildung zeigt die Genres unterteilt nach Regisseurinnen und Regisseuren:
\n<\/span><\/p>\n

\"Top20_2012_Genre_proz_dt\"<\/a>M\u00e4nner drehen Kom\u00f6dien (32 Film \/ 43 %), das sind mehr als doppelt so viele wie in der n\u00e4chsten Kategorie, dem Drama (15 Filme \/ 20 %). Bei den Regisseurinnen gab es kein so dominierendes Genre: 6 Kinderfilme machen 30 % aus, 5 Kom\u00f6dien 25 %, danach folgen Drama und Dokumentarfilm mit jeweils 4 Filmen \/ 20 %.
\nWer mitgez\u00e4hlt hat: ja genau, in Abb. 2 sind insgesamt nur 95 Filme ausgewertet, denn 5 Filme sind Gemeinschaftsinszenierungen: 3 Dokumentarfilme, 1 Musikfilm (STREETDANCE 2) und der einzige Science Fiction Film CLOUD ATLAS,\u00a0 Platz 2 der Gesamtliste mit 1.054.642 Besucher\/innen (Regie Tom Tykwer<\/span>, Andrew Wachowski<\/span> und Lana Wachowski<\/strong><\/span>).
\n\u00dcbrigens, der viertplatzierte Film RUBBELDIEKATZ (1,04 Mio. Besucher\/innen) wurde seit seinem Start von \u00fcber 2 Mio. Menschen gesehen, das sind mehr als die bei CLOUD ATLAS, allerdings kam der Film bereits 2011 in die Kinos. Regisseur war Detlev Buck<\/span>.
\nAber sind nicht im Kino vor allem Big Budget Actionfilme beliebt? Teils teils. Der erfolgreichste Film 2012 war ZIEMLICH BESTE FREUNDE (frz. INTOUCHABLES, fast 8,9 Mio. Besucher\/innen, Regie Olivier Nakache<\/span> und \u00c9ric Toledano<\/span>), eine Kom\u00f6die, von denen es unter den Top 20 immerhin 5 gab (auf Platz 10: T\u00dcRKISCH F\u00dcR ANF\u00c4NGER), dazu 6 Actionfilme, 5 aus der Rubrik Kinderfilm \/ Animation \/ Zeichentrick, 3 Fantasy \/ M\u00e4rchenfilme und 1 Science Fiction-Film.<\/span><\/p>\n

Doch zur\u00fcck zu den deutschen Kinofilmen und dem 3-Gewerke-Check.
\nLetzten Monat habe ich die ZDF Fernsehfilme 2013<\/a> der Woche ausgewertet, da lag der Anteil der Regisseurinnen bei alarmierenden 9 %. Bei den Tatorten 2013 lag der Wert sogar unter 6 %, aber das ist ein Thema f\u00fcr einen andere Tag. <\/span>Immerhin, bei den 100 erfolgreichsten Filmen im dt. Kino 2012 hat bei jedem vierten eine Frau <\/span>Regie<\/strong><\/span> gef\u00fchrt (24 %<\/span><\/strong>). Ein \u00e4hnlicher Wert unter den Top 20 Filmen: 23 %<\/span><\/strong>. Diese Werte entsprechen in etwa dem Frauenanteil im Berufsverband und in der Datenbank von Crew United<\/a>.
\n<\/span><\/p>\n

\"Top100_2012_4GewC_dt\"<\/a>Beim Drehbuch<\/strong> liegt der Frauenanteil bei 24 %<\/strong><\/span> (18 %<\/span><\/strong> unter den Top 20), das ist deutlich weniger als der Frauenanteil im Berufsverband und bei Crew United. Die Produzentinnen<\/strong> machen 21 %<\/span><\/strong> (Top 100) bzw. 18 %<\/strong><\/span> (Top 20) aus, auch das ist weniger als der Anteil bei Crew United (26 %<\/span><\/strong>). <\/span><\/p>\n

Und schlie\u00dflich noch die Besetzungslisten. Wobei, die habe ich nicht ausgewertet, sondern nur die an erster Stelle genannten Schauspieler\/innen<\/strong>. Das ist ein vergleichbarer Wert, der aber sowohl eine alleinige als auch eine von mehreren Hauptrollen bedeuten kann. Bei zwei gleichberechtigten Hauptrollen kann es auch einfach nur die Person mit der gr\u00f6\u00dferen Bekanntheit sein. Trotzdem finde ich die Einbeziehung dieser Gr\u00f6\u00dfe als einem quasi \u00fcber den Daumen gepeilten Wert sinnvoll.<\/span>
\nBei den Top 100 Filme sind 33 Schauspielerinnen<\/span> <\/strong>an erster Stelle genannt, bei den Top 20 sind es sogar 45 %<\/strong><\/span>. Das r\u00e4umt (nat\u00fcrlich unwissenschaftlich) ein wenig mit dem Vorurteil auf, dass Geschichten um eine weibliche Hauptfigur keinen Kassenerfolg haben k\u00f6nnen.
\nUnd dass der Anteil der Regisseurinnen zwar leider immer noch weit unter 50 % liegt, aber deutlich h\u00f6her ist (Faktor 4) als beispielsweise bei den quotenst\u00e4rksten Fernsehfilmen, den ARD-Tatorten,\u00a0 ist auch erfreulich.
\n<\/span><\/p>\n

Demn\u00e4chst an dieser Stelle einige Zahlen f\u00fcr 2013.<\/span><\/p>\n

\u00a0<\/span><\/p>\n

<\/a>English Version<\/b><\/p>\n

The 100 Top Grossing German Films 2012: Comedy over Crime<\/span>
\n<\/strong><\/h2>\n

Tomorrow, February 13, the German Federal Film Board will announce their statistics for the past year, then we will also find out about the top 100 German and international box office successes of 2013. I will examine those in the near future, today let\u2019s look back at the German Top 100 from 2012: their genres, the share of women and men for the divisions direction, script and producer and the firstly named acting people on the cast lists.<\/span><\/p>\n

Last May I did a 6-divisions evaluation of the Top 12 films (CREW COUNT \u2013 German Top Grossing Films 2012<\/a>) and in June I looked into 11 departments of among others the Top 17 films (\u201c<\/b>Give me Art, Give me Money\u201d Female Filmmakers Part 1: Behind the Camera<\/a>). When I started to look for the German films of 2013 I ended up with the FAA an their \u2013 somewhat hidden \u2013 lists online (it is not possible to post a link, you would need to go to the webpage of the FFA <\/a>and then -> Marktdaten<\/em> -> Filmhitlisten<\/em> -> Jahresliste (deutsch)<\/em> -> choose the year<\/em>. And I found out that the numbers will be announced during the International Berlin Film Festival this week. 100 films are a good number for an evaluation, so why not start with the 100 films from the year before, that\u2019s 2012. That\u2019s what today’s text is all about.<\/span><\/p>\n

Top 20 films<\/span>
\nCrew: direction, script, producer \u2013 share of women and men<\/span>
\nCast: First role on the list – share of women and men<\/span>
\nMisc.: Genre (according to the categories of the FFA)<\/span><\/p>\n

Top 100 films<\/span>
\nCrew: direction, script, producer \u2013 share of women and men<\/span>
\nCast: First role on the list – share of women and men<\/span>
\nMisc.: Genre (according to the categories of the FFA)<\/span><\/p>\n

This evaluation took some time to do, but the results are summed up quite quickly.
\nOn German television the dominant genre seem to be crime investigation stories, but for the cinema it\u2019s definitely comedies, 37 films (and that\u2019s 37 %) are in this group.<\/span><\/p>\n

\"Top100_2012_Genre_en\"<\/a>The most successful German film of 2012 is a comedy as well, T\u00dcRKISCH F\u00dcR ANF\u00c4NGER (Turkish for beginners) with 2.390.245 admissions (director \/ script writer Bora Da\u011ftekin<\/span>, producers Christian Becker<\/span> and Lena Sch\u00f6mann<\/strong><\/span>, first on the\u00a0 cast list: Josefine Preu\u00df<\/strong><\/span>). About half as many films (19 %) are in the category drama, the highest position for this \u2013 number 23 – is held by BARBARA (director \/ script writer Christian Petzold<\/span>, producers Florian Koerner von Gustorf<\/span> and Michael Weber<\/span>, first on the cast list Nina Hoss<\/strong><\/span>).<\/span>
\n In 3rd position there are adventure films for children (7 %), of this category F\u00dcNF FREUNDE (Five Friends) is in 3rd position of the 100 with 1.042.780 admissions (director Mike Marzuk<\/span>, script by Sebastian Wehlings<\/span> and Peer Klehmet<\/span>, producers Ewa Karlstr\u00f6m<\/span> <\/strong>and Andreas Ulmke-Smeaton<\/span>, first on the cast list Valeria Eisenbart<\/strong><\/span>).<\/span>
\n Of the Top 100 films 16 are children\u2019s films and 16 are documentaries.<\/span>
\n Figure 2 shows the genres again, but this time for female and male directors respectively.<\/span><\/p>\n

\"Top20_2012_Genre_proz_en\"<\/a>Men direct comedies ( 32 films \/ 43 %), that is more than twice the number of films in the next category, drama (15 films \/ 20 %).For the female directors there is no such strong group: 6 children\u2019s films amount to 30 % and 5 comedies to 25 %, they are followed by 4 films each (20 %) in the categories drama and documentary.<\/span>
\nIf you have been counting along then you may have noticed that figure 2 only depicts the percentages for a total of 95 films, this is because 5 films were directed by women and men: 3 documentaries, 1 music film (STREETDANCE 2) and the only science fiction film of the 100: CLOUD ATLAS, which is on position 2 overall with 1.054.642 admissions ((directors Tom Tykwer<\/span>, Andrew Wachowski <\/span>and Lana Wachowski<\/strong><\/span>).<\/span>
\nBy the way, the film in fourth position RUBBELDIEKATZ (1.04 Mio. admissions) has actually been seen by more than 2 million people, that is more than the audience of CLOUD ATLAS, but the film (director Detlev Buck<\/span>) premiered in 2011, and these statistics are only for 2012.<\/span>
\nWhen we talk about box office successes, wouldn\u2019t we be mainly looking at big budget action films? Maybe, maybe not. The most successful film in German cinemas 2012 was the French production UNTOUCHABLE (French: INTOUCHABLES,\u00a0directed\u00a0 by Olivier Nakache<\/span> and \u00c9ric Toledano<\/span>, nearly 8.9 mio. admissions), a comedy, of which there are 5 under the Top 20 (on position 10: T\u00dcRKISCH F\u00dcR ANF\u00c4NGER), then there are 6 action films, 5 in the category children\u2019s film \/ animation, 3 fantasy \/ fairy tales and 1 science fiction film.<\/span><\/p>\n

But let\u2019s get back to the German films and the 3-divisions check:<\/span>
\nLast month I investigated the TV Movies of the Week on ZDF\u00a02013, and there the share of female directors was alarmingly low at 9 %. For the top crime investigation films on ARD (public tv) the value is even lower at 6 %, but that is a topic for another day.<\/span>
\n\u00a0Anyway, 1 in 4<\/span><\/strong> of the top 100 German films 2012 was directed<\/strong> by a woman (24 %<\/span><\/strong>). A similar number is found in the top 20 list: 23 %<\/span><\/strong>. These percentages are roughly the same as the share of women in the professional association and in the data base of Crew United.
\n<\/span>\"Top100_2012_4GewC_en\"<\/a><\/p>\n

For the scripts<\/strong> the share of women is 24 %<\/span><\/strong> (18 %<\/strong><\/span> for the Top 20), that is considerably less than the share of women in the professional association and the Crew United database. Female producers<\/strong> have a share of 21 %<\/strong><\/span> (Top 100) and 18 %<\/strong><\/span> (Top 20), which is also below the 26 % in the database.<\/span>
\n\u00a0And finally the casts<\/strong>! Well, I didn\u2019t investigate those, only the number one position on the lists<\/strong>. I know, this is not a perfect value, since there are\u00a0 films with just one main character and others with more than one, and if there are two the first on the list may not be the most important for storywise but boxoffice-wise. But nonetheless this value may be quite alright by rule of thumb.<\/span>
\nSo of the Top 100 films 33<\/strong> <\/span>have an actress as number one on the cast list, for the Top 20 it\u2019s even 45 %<\/strong><\/span>. So much for the prejudice that films centering around a woman are unattractive to the audience, speaking unscientifically of course.
\nThat the share of female directors is still way below 50 % is unfortunate, but at least it is considerably higher (4-fold) than that for the most successful TV movies, the crime investigations film TATORT, and that is something to be pleased with.
\n<\/span><\/p>\n

I will be discussing the figures for 2013 in the near future on this blog.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

English Version follows German. Kom\u00f6die statt Krimi: Die Top 100 deutschen Kinofilme 2012 Morgen, am 13. Februar, gibt die Filmf\u00f6rderungsanstalt FFA die Statistiken f\u00fcr 2013 bekannt, darunter die Jahresliste der an den Kinokassen 100 erfolgreichsten deutschen Filme des vergangenen Jahres, … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,7,8],"tags":[23,181,187,222,252,317,390,401,500,517,628],"class_list":["post-2006","post","type-post","status-publish","format-standard","hentry","category-analyse-analysis","category-kino-cinema","category-stab-crew","tag-23","tag-dokumentarfilm","tag-drehbuch","tag-ffa","tag-frauenanteil","tag-hauptrollen","tag-kinderfilm","tag-komoedie","tag-produzent-in","tag-regie","tag-top-100-filme"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"gb","enabled_languages":["de","gb"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"yoast_head":"\nKom\u00f6die statt Krimi: Die Top 100 dt. 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