{"id":3013,"date":"2014-09-16T18:29:18","date_gmt":"2014-09-16T16:29:18","guid":{"rendered":"http:\/\/schspin.wordpress.com\/?p=3013"},"modified":"2014-09-16T18:29:18","modified_gmt":"2014-09-16T16:29:18","slug":"ffa11b14","status":"publish","type":"post","link":"https:\/\/schspin.stieve.com\/gb\/2014\/09\/16\/ffa11b14\/","title":{"rendered":"FFA: Kaum Filme von Regisseurinnen? \u2013 German Filmfunding: No Piece of Cake for the Women?"},"content":{"rendered":"

English Version<\/a> follows German.<\/em><\/strong><\/p>\n

FFA Filmf\u00f6rderung 2011 bis 2014<\/strong> <\/span><\/h1>\n

Gerade wurden die dritten F\u00f6rderentscheide 2014 der FFA ver\u00f6ffentlicht \u2013 der Vergabeausschuss tagte am 2. und 3. September. Wie viele programmf\u00fcllende Filmprojekte aus dem Spielfilm-, Dokumentar- und Animationsbereich wurden gef\u00f6rdert? Wie viele Filme sind von Regisseurinnen, wie viele von Regisseuren, und wie viel Geld bekamen die beiden Gruppen im Schnitt?
\n<\/span><\/p>\n

\"FFA_2014_3_dt\"<\/a>Die Grafik zeigt, dass mehr als \u00be der F\u00f6rdergelder an Filme von Regisseuren<\/span> gingen. Diese hatten knapp \u00be der bewilligten Antr\u00e4ge gestellt. Die durchschnittliche Summe, die einem Regisseur-Film bewilligt wurde, liegt deutlich \u00fcber der durchschnittlichen F\u00f6rdersumme f\u00fcr Filme von Regisseurinnen.<\/span>
\nAuch wenn f\u00fcr alle regelm\u00e4\u00dfigen Leser\/innen dieses Blogs der Anblick einer derart pink-lastigen Grafik nicht ungew\u00f6hnlich ist, sie spiegelt nat\u00fcrlich einen sehr beunruhigenden Zustand. Filme, die jetzt gef\u00f6rdert werden, finden wir in ein, zwei Jahren in den Top 100 Kinofilme und \/ oder den Filmpreisnominierungen wieder. Es ist jetzt schon angelegt, dass diese Listen ein starkes M\u00e4nner\u00fcbergewicht haben werden. Das hei\u00dft, im deutsche Kino werden weiter in erster Linie Filme von M\u00e4nnern gemacht<\/strong>.<\/span>
\nDas ist nat\u00fcrlich kein deutsches Ph\u00e4nomen, sondern eins, das vermutlich in fast allen filmschaffenden L\u00e4ndern dieser Welt anzutreffen ist. Nur wird unterschiedlich damit umgegangen. In Frankreich beispielsweise wurde im Oktober 2013 die \u201eCharta f\u00fcr Gleichheit zwischen Frauen und M\u00e4nnern im Filmsektor<\/em>\u201c ratifiziert (Vive la Nouvelle R\u00e9volution du Cin\u00e9ma<\/a>!), in Schweden setzt das Filminstitut auf gezielte F\u00f6rderung von Filmen weiblicher Filmschaffender (siehe im neuseel\u00e4ndischen Blog Wellywood Woman von Marian Evans:\u00a0 From The Lighthouse \u2013 the Swedish Film Institute’s Anna Serner<\/a>), um nur zwei Beispiele zu nennen. Aber darum soll es heute nicht gehen.<\/span>
\nStattdessen zur\u00fcck zur FFA<\/strong>. Mir stehen leider zur Zeit noch keine anderen Daten als die auf der FFA-Webseite<\/a> ver\u00f6ffentlichten zur Verf\u00fcgung. Ich wei\u00df weder, f\u00fcr wie viele Filme insgesamt Antr\u00e4ge gestellt wurden, noch, wie hoch die Gesamtbudgets jeweils waren, noch in welchem Verh\u00e4ltnis dazu die beantragten Summen standen. Das w\u00e4re aber schon wichtig, um die gro\u00dfen Unterschiede in der F\u00f6rderung von Regisseur- und Regisseurinfilmen einordnen zu k\u00f6nnen.<\/span>
\n2014 hat die FFA ihr F\u00f6rderystem etwas ver\u00e4ndert, indem eine Quotenregelung eingef\u00fchrt wurde. Quote in diesem Fall bedeutet, dass die bewilligten F\u00f6rdersummen einen bestimmten Anteil des Gesamtetats des Films betragen mussten. Macht das einen Unterschied?<\/span>
\nHier ein Blick auf die komplette FFA-Filmf\u00f6rderung von 2011 bis 2013, und die \u00be F\u00f6rderung aus 2014, dargestellt in 1.000 \u20ac Betr\u00e4gen (50 in der y-Achse = 50.000 \u20ac, 400 = 400.000 \u20ac), die S\u00e4ulen zeigen die durchschnittliche F\u00f6rderung, die die Regisseur\/innen erhalten haben.<\/span>\"FFA_2011b14_Schnitt\"<\/a>Der Unterschied in der ProKopf-F\u00f6rderung von Frauen und M\u00e4nnern ist dieses Jahr so gro\u00df wie noch nie<\/strong>, er betr\u00e4gt 88.315,38 \u20ac (Zum Vergleich: 2011 betrug er 4.724,25 \u20ac, 2012 \u2013 47.763,- \u20ac, 2013 \u2013 26.812,05 \u20ac.) Das k\u00f6nnte ein Indiz daf\u00fcr sein, dass Filme von Regisseuren insgesamt h\u00f6here Budgets haben (siehe die o.g. Quotenregelung). Aber es k\u00f6nnte und wird auch andere Gr\u00fcnde haben. Wie gesagt, da fehlt mir eine Analyse der nicht-\u00f6ffentlichen Daten.<\/span><\/p>\n

Zum Schluss noch ein Blick auf die Summe der gef\u00f6rderten Projekte und der vergebenen FFA-Gelder der letzten Jahre:<\/span>
\nDer Frauenanteil sowohl an den Projekten als auch an der F\u00f6rderung umspielte 2011 und 2012 gerade mal die 20 %<\/span><\/strong>-Marke. 2013 blieben die Werte jeweils unter 13 %<\/strong><\/span>.<\/span>
\nZum Vergleich: laut inoffiziellen Informationen liegt der Frauenanteil unter den Regieabsolvent\/innen an unseren Filmhochschulen \u00fcber 40 %<\/strong><\/span>. Und in der Crew United-Datenbank, d.h. in dem Pool aller in Film und TV aktiven Regisseur\/innen in Deutschland, immerhin noch bei 23,2 %<\/span><\/strong>. (Film: Frauengewerke, M\u00e4nnergewerke<\/a>?)<\/span>\"FFA_2011b14_Anteil\"<\/a>Die 2014-S\u00e4ulen sind etwas h\u00f6her, aber da die vierte Bewilligungsrunde noch aussteht, zeigen sie nur einen m\u00f6glichen Trend. Au\u00dferdem: die Entfernung zur 50 % Linie ist auch noch sehr sehr weit, also kein Grund zur Freude.<\/span>
\nWarum sind so wenige Filme von Regisseurinnen in der F\u00f6rderung?<\/strong> Dazu m\u00fcssten wir erst einmal mehr \u00fcber die Antr\u00e4ge wissen. Aber nicht nur dar\u00fcber, sondern auch \u00fcber die Rahmenbedingungen der Filmproduktionen.<\/span>
\nDer deutsche Film ist in seiner momentan vielseitigen Auspr\u00e4gung immer noch ma\u00dflos einseitig<\/span><\/strong>, denn er bietet uns den m\u00e4nnlichen Blick, die m\u00e4nnliche Deutung, die m\u00e4nnlichen Inszenierungen. Die Filme sind nat\u00fcrlich sehr unterschiedlich, doch wie bunt k\u00f6nnte das Gesamtbild erst werden, wenn Filme von Frauen keine Randerscheinung mehr w\u00e4ren, die sich schwerpunktm\u00e4\u00dfig nur in den Bereichen Dokumentar- und Kinder-\/Jugendfilm finden. Aber das ist ein Thema f\u00fcr einen anderen Tag.<\/span><\/p>\n

<\/a>English Version<\/b><\/span><\/em><\/p>\n

German Federal Film Board Funding: No Piece of Cake for the Women?
\n<\/span><\/strong><\/h2>\n

Funding by the German Federal Film Board Funding 2011 to 2014<\/strong>. Just the other day the latest funding decisions by the FFB (German Federal Film Board) have been published, the allocation committee held ist third of 4 meetings in 2014 on Sept 2 and 3. How many full length film projects, feature films, documentaries or animated films, are going to be funded? How many films are by female, how many by male directors? And how much money did both groups receive on average?<\/span>\"FFA_2014_3_en\"<\/a>As the figure shows, more than \u00be of the funding went to films by male directors<\/span>. These had put forward just under \u00be of the conceded applications. The average approved sum for a film by a male director was distinctly higher than the average for a film by a femal director.<\/span>
\nMaybe those of you who regularly read this blog are not taken aback by such a pink dominated figure any more, but nonetheless what we see is quite an alarming situation. Films that are being funded this year will appear in the Top 100 box office success films and \/ or in the nominations for the German Film Awards. The ground is being set today for a strong male predominance in those lists. German cinema will continue to show mainly films by men<\/strong>.<\/span>
\nThis is of course not something typically German, we probably encounter this phenomenon in all filmmaking countries of the world. But the reaction to this is not the same everywhere. France saw the ratification of the \u201eCharter for Equality among Women and Men in the Film Sector<\/em>\u201c last October (Vive la Nouvelle R\u00e9volution du Cin\u00e9ma<\/a>!), the Swedish Film Institute has installed selective measures for the funding of films by female film makers (refer to Marian Evan\u2019s blog Wellywood Woman: From The Lighthouse \u2013 the Swedish Film Institute’s Anna Serner<\/a>), to name two examples. But this is not today\u2019s topic.<\/span>
\nSo let\u2019s get back to the FFB<\/strong>. Unfortunately I don\u2019t have any other data aside from that available on the official website<\/a>. I don\u2019t know how many film makers applied for funding, nor how high their total budgets were, nor what part of that they wanted to get funded. But this information of course would be neccessary in order to start interpreting the vast differences in funding of films by women or men.<\/span>
\nIn 2014 the FFB changed their system of funding a little, they introduced a quota regulation. This means that every film that receives funding will be granted a minimum of a certain percentage of the overall costs. Does this make a difference for the gender analysis?<\/span>
\nThe next figure shows the annual funding by the FFB for 2011, 2012 and 2013, and the momentary \u00be funding for 2014, the scale is by the factor of 1.000 \u20ac (50 in the ordinate corresponds with 50.000 \u20ac, 400 = 400.000 \u20ac etc), the columns show the average funding that female and male directors received respectively.<\/span>\"FFA_2011b14_Schnitt_en\"<\/a>The difference in the per capita-funding this year is bigger than ever<\/strong>: 88.315,38 \u20ac (For comparison: in 2011 it was 4.724,25 \u20ac, in 2012 \u2013 47.763,- \u20ac, and in 2013 \u2013 26.812,05 \u20ac.) This could indicate that films by male directors have a larger budget, when we consider the quota regulation. But there could and will be other reasons as well. As I said, I have only been able to analyse the open data up to now.<\/span>
\nFinally let\u2019s have a look at the total of funded projects over the last years and the total sum of distributed funding:<\/span>
\nThe share of women for the number of projects as well as the annual funding was only hovering around the 20 %<\/span><\/strong> mark in 2011 and 2012. In 2013 the numbers were even below 13 %<\/span><\/strong>. For comparison: we can assume that currently more than 40 %<\/strong><\/span> of those graduating in the directing classes at the film schools are female. And in the data base of crew united, i.e. the pool of directors working in German film a<\/span>nd TV productions, the share of women is 23,2 %<\/strong><\/span> after all (Filmcrafts: Some with Women, Some with Men<\/a>?)\"FFA_2011b14_Anteil_en\"<\/a><\/span>The columns for 2014 are a bit higher, but we will still have to wait and see what the fourth and final round of funding this year will be like. Also: the distance to the 50 % line is really very far, so there is no cause for celebration.<\/span>
\nWhy are there so few films by female directors being funded?<\/strong> To answer this we would need to know more about the applications. And also about the conditions for the film productions.<\/span>
\n German Cinema of today, while being diversified, is still extremely one-sided<\/span><\/strong>, because we only get the male view, the male interpretations, the male productions. Of course no two films are alike. But how colourful could the whole picture be if films by women stopped being on the sidelines, and were not mainly to be found in the documentary and children\u2019s \/ youth film sections. But that is a topic for another day.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

English Version follows German. FFA Filmf\u00f6rderung 2011 bis 2014 Gerade wurden die dritten F\u00f6rderentscheide 2014 der FFA ver\u00f6ffentlicht \u2013 der Vergabeausschuss tagte am 2. und 3. September. Wie viele programmf\u00fcllende Filmprojekte aus dem Spielfilm-, Dokumentar- und Animationsbereich wurden gef\u00f6rdert? Wie … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,7],"tags":[222,231,252,517],"class_list":["post-3013","post","type-post","status-publish","format-standard","hentry","category-analyse-analysis","category-kino-cinema","tag-ffa","tag-filmfoerderung","tag-frauenanteil","tag-regie"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"gb","enabled_languages":["de","gb"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"gb":{"title":false,"content":false,"excerpt":false}}},"yoast_head":"\nFFA: Kaum Filme von Regisseurinnen? \u2013 German Filmfunding: No Piece of Cake for the Women? – SchspIN<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/schspin.stieve.com\/2014\/09\/16\/ffa11b14\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FFA: Kaum Filme von Regisseurinnen? 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