{"id":3687,"date":"2015-02-02T12:31:07","date_gmt":"2015-02-02T11:31:07","guid":{"rendered":"https:\/\/schspin.wordpress.com\/?p=3687"},"modified":"2022-05-28T20:39:59","modified_gmt":"2022-05-28T20:39:59","slug":"tatorte2011-14","status":"publish","type":"post","link":"https:\/\/schspin.stieve.com\/gb\/2015\/02\/02\/tatorte2011-14\/","title":{"rendered":"Who told Germany’s Top Cop Dramas 2011-14"},"content":{"rendered":"

Who told Germany\u2019s Top Cop Dramas 2011-14? <\/span><\/h2>\n

Statistics on Directing, Script and Main Cast<\/span><\/h3>\n

It is Monday. Those believing in TV ratings are talking about last night\u2019s figures and as always the weekly Sunday night Cop Drama TATORT is eminent.
\nLately a number of TATORT films have tried to break out of the old frame, by including more action elements and an especially large number of murders for example. No one really has tried to break through the old gender stereotypes though, as three comments on last night\u2019s episode FREDDY TANZT (Freddy is Dancing \u2013 director Andreas Kleinert<\/strong>, script J\u00fcrgen Werner<\/strong>) show:<\/span><\/p>\n

\n

habicht @habichthorn<\/a><\/span>
\nChild “I am not a pumpkin*.” Police inspector “Then you are probably a princess.” – Great perception of women once again. #tatort<\/span><\/em>
\n<\/span><\/em><\/p>\n

habicht @habichthorn<\/a><\/span>
\nI hope the child will kick the inspector in the shin if he calls her princess one more time. #tatort<\/span><\/em><\/p>\n

Sue Reindke @HappySchnitzel<\/a><\/span>
\nThe new female assistant has to clean up everything and make the coffee. Stereotypes have been funnier than this. #Tatort<\/span><\/em><\/p>\n<\/blockquote>\n

*In Germany little girls are regularly called Maus (mouse) or Kleine Maus (little mouse), the boys are called Kleiner Mann (little man). I think though that mouse has another meaning in English, therefore I changed it to pumpkin.
\n<\/em><\/span><\/p>\n

\u201cIn his\/her film X Director y is telling the story of…\u201c is something we hear regularly. But I think in reality the stories are told in a great deal by the script writers. Or to put it this way: it is not so easy to ruin a truly great script, but the other way around, i.e. if the script tells a story set in retro reality with actions and dialogues full of old gender stereotypes, then it will be quite difficult for directors male or female (and for the cast) to go against that<\/strong>.<\/span>
\nI really hope that the VDD, the German Scriptwriters\u2019 Guild, will some time soon commission a diversity report on scripts in German film and TV, like the report that was published by the directors\u2019 guild BVR last year. All my evaluations have shown that female scriptwriters are very much underrepresentated in German productions. Their share is far below 50 % (the share of women in society) but also clearly below the 41,7 %<\/strong><\/span> share of women in the VDD and in the database of crew united (36,9 %<\/span><\/strong>).<\/span><\/p>\n

Today\u2019s two figures show<\/span>
\nA) The shares of women for directing and scriptwriting<\/strong> in all TATORTE TV premieres of 2011 to 2014. The female directors on the 4-year-average account for less than 10 %, the female scriptwriters less than 20 %.<\/span>
\nB) The shares of women and main for the main casts<\/strong> of the TATORTE in that time. \u201aAs usual\u2019 female roles are the minority. In how far they are written as being retroreal stereotypes is something that cannot be evaluated easily. So that is a topic for another day.<\/span><\/p>\n\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Wer erz\u00e4hlte die Tatorte 2011-14? Ein Auswertung von Regie, Drehbuch und Hauptcast. Es ist Montag. Diejenigen die an Einschaltquoten glauben sprechen \u00fcber die Zahlen des Vorabends und da spielt wie immer der w\u00f6chentliche TATORT eine gro\u00dfe Rolle. In letzter Zeit … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,5],"tags":[22,23,24,25,187,252,289,317,517,603],"class_list":["post-3687","post","type-post","status-publish","format-standard","hentry","category-analyse-analysis","category-fernsehen-tv","tag-22","tag-23","tag-24","tag-25","tag-drehbuch","tag-frauenanteil","tag-geschlechterrollen","tag-hauptrollen","tag-regie","tag-tatort"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"gb","enabled_languages":["de","gb"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"gb":{"title":true,"content":true,"excerpt":false}}},"yoast_head":"\nWho told Germany's Top Cop Dramas 2011-14 – SchspIN<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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