{"id":7259,"date":"2018-01-16T22:11:01","date_gmt":"2018-01-16T21:11:01","guid":{"rendered":"https:\/\/schspin.wordpress.com\/?p=7259"},"modified":"2023-07-13T21:59:02","modified_gmt":"2023-07-13T21:59:02","slug":"es-wird-sich-aendern-change-is-coming","status":"publish","type":"post","link":"https:\/\/schspin.stieve.com\/gb\/2018\/01\/16\/es-wird-sich-aendern-change-is-coming\/","title":{"rendered":"Change is coming"},"content":{"rendered":"<h1 style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Change is Coming!<br \/>\n<\/span><\/h1>\n<p><span style=\"color: #4d4d4d;\">Today&#8217;s text is about music, change, and the 5th anniversary of this blog.\u00a0<\/span><\/p>\n<p><a href=\"https:\/\/schspin.files.wordpress.com\/2018\/01\/schspin-party_glaeser.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7915\" src=\"https:\/\/schspin.files.wordpress.com\/2018\/01\/schspin-party_glaeser.png?w=611\" alt=\"\" width=\"800\" height=\"174\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Several years ago I discovered the alternative rockband <strong>thenewno2<\/strong> and immediately loved the music \u2013 and the name! (which has a different background from my associations, but never mind. It\u2018s a cool name). Behind thenewno2 are <strong>Dhani Harrison<\/strong> and <strong>Paul Hicks<\/strong>, who also collaborated in other musical projects, among other things they composed the music for the series GOOD GIRLS REVOLT and fils like BEAUTIFUL CREATURES (director <span style=\"color: #ff00ff;\">Richard LaGravenese<\/span>) and LEARNING TO DRIVE (director <strong><span style=\"color: #00ccff;\">Isabel Coixet<\/span><\/strong>).<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">In 2010, along with <strong>Ben Harper<\/strong> and <strong>Joseph Arthur<\/strong>, <strong>Dhani Harrison<\/strong> foundet the Band A Fistful of Meri. <strong>And last October he published his first solo album: IN \/\/\/ PARALLEL<\/strong> \u2013 a soloproject in its truest sense, he composed, mastered and produced all ten titles, some of them between 6 and 8 minutes long. He calls it grunge and bass, Rolling Stone describes it as psychedelic, and Harrison&#8217;s background as a film score composer can distinctly be felt (<a href=\"http:\/\/www.imdb.com\/name\/nm1468166\/\" target=\"_blank\" rel=\"noopener noreferrer\">Dhani on IMDB<\/a>).<br \/>\n<\/span><\/p>\n<p><a href=\"https:\/\/schspin.files.wordpress.com\/2018\/01\/the-new-no-2-parallel-cds.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7898\" src=\"https:\/\/schspin.files.wordpress.com\/2018\/01\/the-new-no-2-parallel-cds.png?w=611\" alt=\"\" width=\"550\" height=\"360\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">You can like this music \u2013 I do! And the more differenciated reviews were entirely positive \u2013 but of course you can be annoyed instead and complain that it is not like you wanted it to be. This applies for a German radio journalist from Deutschlandfunk Kultur, whose name unfortunately I didn\u2018t catch, and who said something like: &#8220;<em>Yes, the music is good, but something is missing, and that\u2018s the Beatles sound. Therefore I cannot give it a good rating<\/em>\u201c.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\"><a href=\"http:\/\/dhaniharrison.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Dhani Harrison<\/a>, born in 1978, is the son of <strong>Olivia Harrison<\/strong>, n\u00e9e Trinidad Arias, and <strong>George Harrison<\/strong>, a musician from Liverpool, who was a member of The Beatles for ten years, and after that had a 30-year solo career with a dozen LPs, among them the world\u2018s first triple album (ALL THINGS MUST PASS), he set up the first charity concert (Concert for Bangladesh, 1971) inspired by <strong>Ravi Shankar<\/strong>, he stepped in, when nobody trusted the new film project from Monty Python which had led to financing difficulties (THE LIFE OF BRIAN) and he had several number 1 hits.<br \/>\nThe music Dhani Harrison \u2013 born 8 years after the Beatles broke up &#8211; grew up with was that of his father\u2018s solo career, and that of the many musicians who came to record their music in George Harrison\u2018s very own recording studio. Incidentially, Dhani \u2013 with a bachelor&#8217;s degree in industrial design and phyiscs to his credit \u2013 was cloned, as he is only the son of the ex-beatle (<em>\u201cthe same voice!\u201c \u201cthe same eyes!\u201c \u201ethe same looks!\u201c and \u201che also plays the guitar!\u201c<\/em>) &#8211; and seems to have inherited nothing relevant whatsoever from his mother. <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Why am I telling all this? <strong>Because narrow-minded expectations and views, when loudly voiced, are always unpleasant and form a hinderance to development and new things.<\/strong> This goes for music as well as the film industry (and other areas of society as well of course):<em> it\u2018s always done this way, let\u2018s play it safe, it\u2018s just that men are so much better at directing or with a camera, the audience simply likes nothing better than watching crime drama, women have to be young and beautiful, the tv ratings demonstrate what\u2018s good or doesn\u2018t work&#8230;<br \/>\n<\/em>Speaking of television, ironically it is this television, namely the two major public broadcasting corporations <strong>ARD and ZDF, <em>who<\/em> were awarded the Honorary Inspiration Award by the board of the German acting union BFFS at last year&#8217;s DSP German Acting Awards<\/strong>.<\/span><\/p>\n<p style=\"text-align: justify; padding-left: 60px;\"><span style=\"color: #4d4d4d;\"><em>With the \u201eHonorary Inspiration Award\u201c, the Federal Association for Acting BFFS annually recognizes a personality or institution, who through their achievements have enabled and promoted the art of acting in a special way. <\/em>(<a href=\"https:\/\/www.presseportal.de\/pm\/29876\/3742532\" target=\"_blank\" rel=\"noopener noreferrer\">German source<\/a>) <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\"><strong>The 2017 award did not honour promising attempts, it was not bestowed upon commissioning editors or individuals, it did not ackknowledge courageous tv formats,<\/strong> no, the public broadcasters were recognized in their entirety. How das that make actresses feel who don\u2018t get cast, because they don\u2018t fit into the programme? Writers, whose innovative stories are rejected or fundamentally changed? How do commissioning editors at ARD and ZDF feel, who fight for change and who manage to smuggle little gems into the programme? It doesn\u2018t matter, because the whole house is an inspiration. Or rather, both houses. And the speech of honour was given by <strong>Sigmar Gabriel<\/strong>, a politician from the SPD social democrats &#8211; three days before the last general election \u2013 surely because he can empathize so well with actresses and actors and knows what is inspirational for them.<\/span><\/p>\n<h2 align=\"justify\"><span style=\"color: #4d4d4d;\">So what is Positive?<br \/>\n<\/span><\/h2>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Well, some things are. For one, they finally changed the name of the DSP, formally \u201e<em>the award with the awkward name<\/em>\u201c, something I had proposed for the very start, but sometimes it takes a while. By the way In 2016 the DSP Inspiration Award went to <a href=\"http:\/\/www.imdb.com\/name\/nm0170043\/?ref_=nv_sr_1\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Isabel Coixet<\/strong><\/a>, who is a great director and very popular among acters and actresses who have worked with her (and would like to!).<\/span><\/p>\n<div id=\"attachment_7261\" style=\"width: 560px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/schspin.files.wordpress.com\/2017\/10\/dsp_coixet_stieve_1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-7261\" class=\"wp-image-7261\" src=\"https:\/\/schspin.files.wordpress.com\/2017\/10\/dsp_coixet_stieve_1.jpg?w=611\" alt=\"\" width=\"550\" height=\"439\" \/><\/a><p id=\"caption-attachment-7261\" class=\"wp-caption-text\"><span style=\"color: #4d4d4d;\">DSP 2016: BRS and Isabel Coixet. \u00a9: BFFS\/Foto:Schroewig<\/span><\/p><\/div>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\">Unfortunately, when <strong>Isabel Coixet<\/strong> received the award, again a highly prominent personality was chosen for the award speech, <strong>Dieter Kosslick<\/strong>, and he spoke of himself at least as much as he did about her. I remember asking myself, why in all those years he has been the director of the Berlinale Berlin International Film Festival, he never took English classes to work on his lexis, grammar and pronounciation. But maybe there just never was time. Or there were no English language teachers in Berlin. But that is a topic for another day.<br \/>\nI didn\u2018t go to the awards last year, but in the years before I noticed that most awards in the DSP categories were presented by celebrities and given to celebrities. The lesser known actors and especially actresses were the friendly helpers of the night, taking the guests coats, leading them to their seats, checking the invitations. But it does not always have to stay that way, at the gala of Awards from acters for acters (to use the gender-neutral term).<\/span><\/p>\n<h2 align=\"justify\"><span style=\"color: #4d4d4d;\">It&#8217;s not like it used to be<\/span><\/h2>\n<p style=\"text-align: justify;\"><span style=\"color: #4d4d4d;\"> It does not have to stay the way it was or is. Things will change. The German television programme will change. The rule of the tv ratings will be over at some point, and then some intelligent people will make sure, that the quality and the value of a tv broadcast is not determined by the number of people who watched it. And the number of followers on instagram won\u2018t determine which acter is being cast for a role. One day, more women will be enabled to make films. Great films. One day, the BFFS will be turned into a democratic organization. One day the male domination within the film industry will complete its final round.<br \/>\n<strong>Change is coming.<\/strong><br \/>\nAnd no one can stop it, certainly not those who proclaim the day before yesterday to bei the future. At the same time, change needs support. Heforshe, metoo, timesup, Era5050, Pro Quote \u2013 the sign of the times are there. Change is coming.<br \/>\n<strong>And I am happy to help bring this change about, with SchspIN and NEROPA.<\/strong><\/span><\/p>\n<p style=\"padding-left: 60px;\" align=\"justify\"><em><span style=\"color: #4d4d4d;\">t\u2019s not like it used to be <\/span><\/em><br \/>\n<em><span style=\"color: #4d4d4d;\"> It\u2019s not like it used to be <\/span><\/em><br \/>\n<em><span style=\"color: #4d4d4d;\"> It\u2019s not like it used to be <\/span><\/em><br \/>\n<span style=\"color: #4d4d4d;\"><em> It\u2019s not like it used to be<\/em><\/span><br \/>\n<span style=\"color: #4d4d4d;\"> (Dhani Harrison: All About Waiting)<\/span><\/p>\n<h2 align=\"justify\"><span style=\"color: #4d4d4d;\">SchspIN turned Five!<\/span><\/h2>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">Five years ago today, on Jan 16, 2013, I published my first blog post (<a href=\"https:\/\/schspin.stieve.com\/2013\/01\/16\/schspin-ist-am-start\/\">And Action!<\/a>) and on Jan 20, 2016 I first introduced the concept of NEROPA (<a href=\"https:\/\/schspin.stieve.com\/2016\/01\/20\/neropa-casting-tool\/#english\">A Casting Tool Called NEROPA<\/a>). Two Anniversaries. On January 20, 2016, at the panel discussion \u201cWho plays the part in German television?\u201c, organized by <strong>Women in Film and Television Germany<\/strong> at the Gr\u00fcne Salon in Berlin (<a href=\"https:\/\/schspin.stieve.com\/2014\/03\/08\/paneldisk\/\">audio<\/a>), I spoke about my analyses for the first time in public. And a public discussion about role gender imbalance, casting PRAXIS, stereotypes and structures began, in the course of which we find NEROPA, the <a href=\"https:\/\/www.imf.uni-rostock.de\/fileadmin\/uni-rostock\/Alle_PHF\/IMF\/Forschung\/Medienforschung\/Audiovisuelle_Diversitaet\/Broschuere_din_a4_audiovisuelle_Diversitaet_v06072017_V3.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">study on Audiovisual Diversity<\/a> by the University of Rostock, and some exciting developments we are about to witness. <\/span><\/p>\n<p align=\"justify\"><span style=\"color: #4d4d4d;\">Another anniversary will be installed the day after tomorrow, because then <strong>Equity UK<\/strong> are running a symposium on NEROPA at the <strong>BFI<\/strong>, where I will present my method in greater detail (#<em>equityneropa<\/em>).<br \/>\n<\/span><\/p>\n<p align=\"justify\"><span style=\"color: #993300;\">But first things first, let\u2018s celebrate 5 years of SchspIN \u2013 with a bit of music from Dhani Harrison of course.<br \/>\n<strong>I\u2018d like to say thank you to all my readers over the past years<\/strong>, to all who gave me positive or critical feedback, who helped me gather infomation and data, who shared my articles in their blogs or other platforms. And I also want to say thank you for the many congratulations I have received, some in private, some in public.<br \/>\nHere\u2018s to the next 5 years of SchspIN!<\/span><\/p>\n<h2 align=\"justify\"><span style=\"color: #4d4d4d;\">Greetings and Messages<\/span><\/h2>\n<p style=\"padding-left: 60px;\" align=\"justify\"><span style=\"color: #4d4d4d;\"><em> &#8220;FILML\u00d6WIN \/ FILM LIONESS would like to warmly congratulate SchspIN on the occasion of her fifth birthday and say thank you from the bottom of her heart for the industrious, well researched and informative roars! Keep it up &#8211; here\u2018s to our continuous good collaboration!\u201c<\/em><br \/>\n<a href=\"http:\/\/filmloewin.de\/\" target=\"_blank\" rel=\"noopener noreferrer\">Film Lioness \u2013 the feminist film magazine<\/a><\/span><\/p>\n<p style=\"padding-left: 60px;\" align=\"justify\"><em><span style=\"color: #4d4d4d;\">Dear Belinde, <strong>Brigitte Macron<\/strong> (in this case the one from the show \u201cKroymann\u201c) wants to congratulate you on the 5th birthday of your blog and the 2nd of the intelligent and appropiately combative casting tool NEROPA! And she hopes for more ideas like it, nicely radical and at the same time practical. Bon anniversaire! Gros bisoux!<\/span><\/em><br \/>\n<span style=\"color: #4d4d4d;\">As representative: Maren (Brigitte had to go to a hyaluron treatment)<\/span><br \/>\n<span style=\"color: #4d4d4d;\"><strong>Maren Kroymann<\/strong>: <a href=\"http:\/\/marenkroymann.de\/\" target=\"_blank\" rel=\"noopener noreferrer\">website<\/a> and <a href=\"http:\/\/www.daserste.de\/unterhaltung\/comedy-satire\/comedy-satire\/sendung\/kroymann-120.html\" target=\"_blank\" rel=\"noopener noreferrer\">comedy show<\/a> (with Brigitte Macron)<\/span><\/p>\n<p align=\"justify\"><a href=\"https:\/\/schspin.files.wordpress.com\/2018\/01\/brgitte_macroyman.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7893\" src=\"https:\/\/schspin.files.wordpress.com\/2018\/01\/brgitte_macroyman.jpg\" alt=\"\" width=\"350\" height=\"467\" \/><\/a><\/p>\n<p style=\"padding-left: 60px;\" align=\"justify\"><em><span style=\"color: #4d4d4d;\">Dear Belinde Ruth, congratulations! We only met not so long ago at the #EPD17 (equal pay day), but I don\u2018t want to miss the \u201eSchspIN \u2013 actress\u2018s thoughts\u201c and your engagement for NEROPA. NEROPA \u2013 a casting tool for more role diversity, for more equality, diversity and less \u201cculture of legs astride\u201c. You, along with your blog, have been an insider tip for a long time. I hope this will change. Congratulations on that, looking forward to the next exciting and ENLIGHTENING blog posts.<br \/>\nWith best wishes, <strong>Yvonne de Andr\u00e9s<\/strong>.<br \/>\n<a href=\"http:\/\/www.aviva-berlin.de\/aviva\/content_Interviews.php?id=1419684\" target=\"_blank\" rel=\"noopener noreferrer\">Yvonne interviewing Belinde for Aviva-Berlin Magazine<\/a><br \/>\n<\/span><\/em><\/p>\n\n<p><a href=\"https:\/\/schspin.files.wordpress.com\/2018\/01\/schspin-party_kuchen.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7917\" src=\"https:\/\/schspin.files.wordpress.com\/2018\/01\/schspin-party_kuchen.png?w=611\" alt=\"\" width=\"800\" height=\"191\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=reRlyvQvTng\" rel=\"noopener\" target=\"_blank\">Dhani Harrison &#8211; All about Waiting (Video)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>#changeiscoming &#8211; Es wird sich \u00e4ndern Der heutige Text dreht sich um Musik, Ver\u00e4nderung und den 5. Geburtstag dieses Blogs. Warten &#8211; I know All About Waiting Vor Jahren entdecke ich die alternative rockband thenewno2 und war direkt begeistert von &hellip; <a href=\"https:\/\/schspin.stieve.com\/gb\/2018\/01\/16\/es-wird-sich-aendern-change-is-coming\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[102,123,167,189,193,273,336,341,346,557,650],"class_list":["post-7259","post","type-post","status-publish","format-standard","hentry","category-vermischtes-miscellaneous","tag-bffs","tag-change","tag-dhani-harrison","tag-dsp","tag-einschaltquote","tag-geburtstag","tag-in-parallel","tag-inspiration","tag-isabel-coixet","tag-sexismus","tag-veraenderung"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"gb","enabled_languages":["de","gb"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"gb":{"title":true,"content":true,"excerpt":false}}},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Change is coming &#8211; 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