Exclusively for WIFT Germany, I’m looking at the list of the 50 Episodes for the Summer Vote (see ARD website) for the 50th anniversary of this Sunday evening crime series with the film women’s magnifying glass. The texts were first published via the social channels of WIFT Germany on Instagram and Facebook, then in more detail here.
Focus on Directing
The Summer Vote TATORTs
The female directors of the 50 Wunsch-TATORTs with a share of 8 % only get a small piece as a share of the 12-piece birthday cake. Only four TATORTs were not directed by men: TODESBRÜCKE (Berlin 2005) – directed by Christine Hartmann, ANGEZÄHLT (Vienna 2013) – directed by Sabine Derflinger, BOROWSKI UND DAS MEER (Kiel 2014) – also directed by Sabine Derflinger and FRÜHSTÜCK FÜR IMMER (Leipzig 2014) – directed by Claudia Garde.
For Comparison: The TATORTs 2011 – 19
A look at my nine years of TATORT evaluations shows that the average share of female directors in 2011 – 15 is similarly low with 8.7% female directors. After that, however, a tentative upward trend can be seen. The average value for 2016 – 19 is 17 %. This was preceded in 2014 by the First Diversity Report by the BVR Bundesverband Regie German Directors’ Association for 2010-13 and the founding of Pro Quote Regie / Pro Quota Directing (plus the start of my analyses, the blog SchspIN was launched in 2013).
As a reaction to the model of a quota in three stages – 30 % in 3 years, 42 % in 5 years, 50 % in 10 years – which Pro Quote Regie advocated with emphasis and sound arguments, the ARD subsidiary Degeto Film GmbH committed to increasing the share of female directors in its productions to 20 % for an initial period of three years as of August 1, 2015. The 20 % mark was narrowly missed in 2018 and 2019. The first half of 2020 leaves room for hope, with a female director share of 47.6 % for 10 of 21 TATORTs.
“There you go!!!” comments WIFT Germany board member Cornelia Köhler.
Age and Experience of Female Directors
21 films are not a large data base, but a look at directors‘ age is quite interesting nonetheless as the following figure shows. This is similar to the age of actresses and actors in main casts: women are younger. So maybe not only the working years of actresses are significantly shorter than those of their male colleagues, but also those of women behind the camera. But this requires further and thorough research.
Today‘s last figure shows the number of TATORTs that each director of the first half of 2020 has aloready worked on. What do we see? No female director, no matter how old, did more than two TATORS. For the men we find four with more than two films in the TATORT series. At the top of the list we have Torsten C. Fischer and Jobst Christian Oetzmann with 12 and 9 respectively.
To end with another quota, the audience ratings: Nina Wolfrum had the most viewers in the first half of 2020 with NIEMALS OHNE MICH. Friederike Jehn followed in 3rd place – as the female first director in 25 episodes of Stuttgart-TATORT – with DU ALLEIN. And on 6th place it‘s Petra K. Wagner with DIE GUTEN UND DIE BÖSEN, for which she won the special prize for directing at the German TV Crime Movies Festival 2020 in Wiesbaden. In 2nd, 4th and 5th place there are the TATORTs directed by Felix Herzogenrath (KEIN MITLEID, KEINE GNADE), Christian Theede (DAS FLEIßIGE LIESCHEN) and Christopher Schier (LASS DEN MOND AM HIMMEL STEHEN). (Source for the audience ratings: Prisma 6/24/20.)
The audience seems to get along fine with 50:50.
What’s happening next?
In the third episode we take a look at the authors of the 50 Wunsch-TATORTs.