28. August 2020
by SchspIN
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Exclusively for WIFT Germany, I’m looking at the list of the 50 Episodes for the Summer Vote (see ARD website) for the 50th anniversary of this Sunday evening crime series with the film women’s magnifying glass. The texts were first … Continue reading
17. August 2020
by SchspIN
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WIFT Germany & SchspIN It is with great pleasure that I can report that the German chapter of Women in Film and Television, WIFT Germany has made me an honorary member. Many thanks for this great honour! I have been … Continue reading
12. June 2020
by SchspIN
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The Film Industry in Corona-Standstill For weeks and months we‘ve had the – now fading – corona alarm and corona standstill, or whatever this phase will be called in retrospect. The film and television industry paused for a long time … Continue reading
31. December 2019
by SchspIN
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German Cop Drama TATORT 2019 and Female Writers Before the year 2019 ends, – but not yet the decade! – here is a short update on the ARD series TATORT (German top TV cop drama) and the female writers’ initiative … Continue reading
27. August 2019
by SchspIN
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TATORTs and their Locations, 2011 to the Summer of 2019 In my analysis with 15 illustrations today, I take a look at the 22 new TATORTs in the first half of 2019, especially at the distribution of women and men … Continue reading
18. March 2019
by SchspIN
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Last month I published my research including a 6-divisions-check on Germany‘s top cop drama (produced by German public broadcaster ARD) TATORT / CRIME SCENE 2011 to 2018 (Crimes from A Male Perspective), after my other TATORT analysis at the end … Continue reading
1. March 2019
by SchspIN
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A Look at Germany’s Top 100 Films 2012 to 18 After recently having taken a look at six departments behind the camera at the TATORTE 2011 to 2018 (Crimes from a Male Perspective), I now present an analysis of the … Continue reading
6. February 2019
by SchspIN
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TV-Crimes from the Male Perspective Last summer I had done an evaluation of German top cop drama TATORT, all first screenings from 2011 to the summer of 2018, I looked at six departments off-screen – directing, script. DoP, sound, music … Continue reading
28. June 2018
by SchspIN
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Germany’s Top Cop Drama TATORT on and off-screen 2011 to 2018 The women directors lobby group Pro Quote Regie – who have since then expanded and are now Pro Quote Film, covering some 10 departments – had been campaigning for … Continue reading
18. September 2017
by SchspIN
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English Version follows German. Im Juni 2014 hatte ich über 32 Teampositionen am Filmset hinter der Kamera und 2 Positionen vor der Kamera geschrieben und dazu die entsprechenden Datenbankeinträge von Crew United ausgewertet (Film: Frauengewerke, Männergewerke?). Heute gibt es eine … Continue reading