28. April 2023
by SchspIN
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#2von6 – Ansatz für die Branche Am 1. April hatte ich auf Instagram die FFA-Meldung FFA setzt auf Beteiligung von Frauen, neue Förderrichtlinie in Kraft veröffentlicht: und mit folgender Erläuterung versehen: Die FFA verlangt ab der 3. Förderrunde 2023, dass … Continue reading →
13. November 2022
by SchspIN
Comments Off on TATORTE 2022 – Eine gemischte Zwischenbilanz
TATORTE 2022 – Eine gemischte Zwischenbilanz Prolog: Polizeiruf 110 TATORTE hinter der Kamera: 6-Gewerke-Check TATORTE hinter der Kamera: 2 von 6 TATORT-Städte im 6-Gewerke-Vergleich Was fehlt? Wer fehlt? Wer leidet? Wer stirbt? TATORT-Fälle Ludwigshafen Göttingen Kiel und Wiesbaden TATORT-Programmbeschwerde von … Continue reading →
25. July 2022
by SchspIN
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When is it a good Story? – German Film Awards for Screenplay 22 Lola for the Best Screenplay Lola for the Best Unfilmed Screenplay Acceptance Speech “But at Second Glance…” When is it a Good Story? Cobbler, Stick to your … Continue reading →
6. June 2022
by SchspIN
Comments Off on TATORT Sammlung
TATORT-Texte und Krimi-Analysen, von neu zu älter Kürzlich, am 23.5.22, wurde ich von der Journalistin Gesa Ufer im Deutschlandradio Kultur für die Sendung Kompressor interviewt. Das Gespräch gibt es zum Nachhören auf der DLF-Webseite (Warum Kommissarinnen häufig sterben müssen). Und … Continue reading →
9. May 2022
by SchspIN
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It won’t come as a big surprise to regular readers of SchspIN that I’m not a big TATORT fan. In addition, since the escalation of Russia’s years-long war against Ukraine in February 2022, there have been so many news stories … Continue reading →
6. April 2022
by SchspIN
Comments Off on Demand Change (from: The Age Buster)
In December 2021, I was interviewed by Italian journalist, sociologist and author Stefania Medetti. She currently lives in Thailand and runs, among other things, the English-language blog The Age Buster, which focuses on the topics of age, age valuation and … Continue reading →
13. December 2021
by SchspIN
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Making Women Characters suffer on Television Warning: this text is about, among other things, violence against women portrayed on television. Warning: some of the photographs used may cause unpleasant feelings. I recently read the appeal by Liz Tucker, Chair of … Continue reading →
22. June 2021
by SchspIN
Comments Off on Rosy times for Men in NDR Prime-Time Cop Dramas
NDR prime-time Cop Dramas I was invited to do a study of NDR crime films for the current newsletter of the Film & Medienbüro Niedersachsen. With kind permission, here is a translation of the article (pp. 25-27). The share of … Continue reading →
16. April 2021
by SchspIN
Comments Off on Fair Participation: Yes, it is possible.
No April Fool’s joke: half of the TATORT screenplays by female authors – #jaesgeht On 1 April, I posted the ARD news on Instagram that half the top cop drama TATORT’s scripts will be by female authors, i.e. written by … Continue reading →
21. March 2021
by SchspIN
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TATORTs. TV Ratings. Quota for Women Off-Screen. Today I am looking at the 36 new episodes of German Top Cop Drama TATORT in 2020, comparing the shares of men and women in the 6-departments-check (direction, screenplay, camera, sound, editing and … Continue reading →